Henry Gally : $b A critical essay on characteristic-writings from his translation of The moral characters of Theophrastus (1725)Gally, Henry
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Henry Gally : $b A critical essay on characteristic-writings from his translation of The moral characters of Theophrastus (1725)
Gally, Henry
Characters and characteristics in literature; Theophrastus. Characters
I do not intend to enter upon an exact Critique of this Piece; the
intended Brevity of this Essay will permit me to take Notice of but
some few Particulars.--I have no Design or Desire to derogate from the
Reputation of the deceas’d Author; but this I take to be a standing
Rule in Critical Writings, as well as in judicious Reading, that we
ought not to be so struck with the Beauties of an Author, as to be
blind to his Failings; nor yet so prejudiced by his Failings, as to
be blind to his Beauties.
The original Design of Characteristic-Writings is to give us real
Images of Life. An exact Imitation of Nature is the chief Art which is
to be us’d. The Imagination, I own, may be allow’d to work in Pieces
of this Kind, provided it keeps within the Degrees of Probability; But
Mr. _de la Bruyere_ gives us Characters of Men, who are not to be
found in Nature; and, out of a false Affectation of the Wonderful, he
carries almost every thing to Excess; represents the Irregularities of
Life as downright Madness, and by his false Colours converts Men into
Monsters.
[I]_Troilus_ is a very supercilious Man: And ’tis no ways inconsistent
with this Character to suppose, that he may entertain a natural
Antipathy against an ugly Face, or a bad Voice; but our Author
represents him as labourirg under this Distemper to such a Degree of
Excess, as, I believe, has never been observ’d in any Man. I do not
know by what Name it may be call’d. _Troilus_ conceives an immediate
Aversion against a Person that enters the Room where he is; he shuns
him, flies from him, and will throw himself out at the Window, rather
than suffer himself to be accosted by one, whose Face and Voice he
does not like.--Is this Humour, or, rather, are not these the genuine
Symptoms of Madness and Phrenzy? And if _Troilus_ does really act
after this manner, is he not rather an Object of Pity, than a Subject
for Humour and Ridicule?
[I: De la Societè & de la Conversation. Ad init.]
Public-domain text, read in full here on John Shaqi.
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