Cortés, Hernán, 1485-1547 -- Juvenile literature; Mexico -- History -- Conquest, 1519-1540 -- Juvenile literature
At daybreak all were summoned for action. Cortes arranged his fleet in a
half circle and in this order, which was necessary on account of the
shores, he began sailing up the stream. But before opening the attack,
he sent Aguilar to inform the natives that it rested with them to say
whether he should come as an enemy or a friend. Aguilar performed his
duty, but instead of listening quietly to him the Indians gave the
signal for attack and rowed out in their canoes to meet the fleet. They
came together and the Indians began the assault with a dreadful storm of
arrows and stones which caused great discomfort to the Spaniards, who
were still remaining passive. At this Cortes gave the signal for
defence. A single shot from the great cannon was decisive. The Indians,
astonished at the unexpected thunder which roared about them, and
terrified at the sight of its destructive consequences, jumped from
their canoes into the water and endeavored with all their might to
escape by swimming. The Spanish vessels drew up to the banks, and Cortes
landed with his whole force undisturbed. The battle, however, was far
from being ended. The Indians, who had left their canoes, fled into the
brush, where a still greater number of their warriors were collected.
They rushed forward while Cortes was engaged in placing his men in
battle order, and attacked him with arrows, spears, and stones, uttering
appalling battle cries. Cortes, however, was not disturbed but continued
the arrangement of his ranks until the whole corps was in close battle
order. Then they charged furiously against the Indians, advanced with
wonderful coolness through deep morasses and dense thickets upon the
countless swarms of the enemy, and death and terror beat a way for them.
The sight of an army with European weapons was as new as it was fearful
to the Indians. They could not face it and incontinently took to flight.
Public-domain text, read in full here on John Shaqi.
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