History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
live; nor in my religion, than to preserve the peace of my conscience in
any church with which I communicate. I hope, all churches and
governments are so far of God, as they are rightly understood and
rightly administered; and where they err, or may be wrong, I leave it to
God alone to mend or reform them."[11] Such convictions do not torment a
man. In reality, he did not write because he thought, but thought in
order to write; manuscript and the noise it makes in the world, when
printed, was his idol; if he wrote verses, it was merely for the sake of
doing so.
This is the best training for versification. Pope gave himself up to it;
he was a man of leisure, his father had left him a very fair fortune; he
earned a large sum by translating the Iliad and Odyssey; he had an
income of eight hundred pounds. He was never in the pay of a publisher;
he looked from an eminence upon the beggarly authors grovelling in their
free and easy life, and, calmly seated in his pretty house at
Twickenham, in his grotto, or in the fine garden which he had himself
planned, he could polish and file his writings as long as he chose. He
did not fail to do so. When he had written a work he kept it at least
two years in his desk. From time to time he re-read and corrected it;
took counsel of his friends, then of his enemies; no new edition was
unamended; he altered without wearying. His first outburst became so
recast and transformed that it could not be recognized in the final
copy. The pieces which seem least retouched are two satires, and Dodsley
says that in the manuscript "almost every line was written twice over; I
gave him a clean transcript, which he sent some time afterwards to me
for the press, with almost every line written twice over a second
time."[12] Dr. Johnson says: "From his attention to poetry he was never
diverted. If conversation offered anything that could be improved, he
committed it to paper; if a thought, or perhaps an expression, more
happy than was common, rose to his mind, he was careful to write it; an
independent distich was preserved for an opportunity of insertion; and
some little fragments have been found containing lines, or parts of
lines, to be wrought upon at some other time."[13] His writing-desk had
to be placed upon his bed before he rose. "Lord Oxford's domestic
related that, in the dreadful winter of 1740, she was called from her
bed by him four times in one night to supply him with paper, lest he
should lose a thought."[14] Swift complains that he was never at leisure
for conversation, because he "had always some poetical scheme in his
head." Thus nothing was lacking for the attainment of perfect
expression; the practice of a lifetime, the study of every model, an
independent fortune, the company of men of the world, an immunity from
turbulent passions, the absence of dominant ideas, the facility of an
infant prodigy, the assiduity of an old man of letters. It seems as
Public-domain text, read in full here on John Shaqi.
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