History of Spanish Literature, vol. 1 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 1 (of 3)
Ticknor, George
Spanish literature -- History and criticism
[27] Both of the last poems in this MS. were first printed by
Pidal in the Revista de Madrid, 1841, and, as it would seem, from
bad copies. At least, they contain many more inaccuracies of
spelling, versification, and style than the first, and appear to
be of a later age; for I do not think the French Fabliaux, which
they imitate, were known in Spain till after the period commonly
assigned to the Apollonius.
* * * * *
Thus far, the poetry of the first century of Spanish literature, like
the earliest poetry of other modern countries, is anonymous; for
authorship was a distinction rarely coveted or thought of by those who
wrote in any of the dialects then forming throughout Europe, among the
common people. It is even impossible to tell from what part of the
Christian conquests in Spain the poems of which we have spoken have
come to us. We may infer, indeed, from their language and tone, that
the Poem of the Cid belongs to the border country of the Moorish war in
the direction of Catalonia and Valencia, and that the earliest ballads,
of which we shall speak hereafter, came originally from the midst of
the contest, with whose very spirit they are often imbued. In the same
way, too, we may be persuaded that the poems of a more religious temper
were produced in the quieter kingdoms of the North, where monasteries
had been founded and Christianity had already struck its roots deeply
into the soil of the national character. Still, we have no evidence to
show where any one of the poems we have thus far noticed was written.
But as we advance, this state of things is changed. The next poetry we
meet is by a known author, and, comes from a known locality. It was
written by Gonzalo, a secular priest who belonged to the monastery
of San Millan or Saint Emilianus, in the territory of Calahorra, far
within the borders of the Moorish war, and who is commonly called
Berceo, from the place of his birth. Of the poet himself we know
little, except that he flourished from 1220 to 1246, and that, as he
once speaks of suffering from the weariness of old age,[28] he probably
died after 1260, in the reign of Alfonso the Wise.[29]
[28] It is in Sta. Oria, st. 2.
Quiero en mi vegez, maguer so ya cansado,
De esta santa Virgen romanzar su dictado.
[29] Sanchez, Poesías Anteriores, Tom. II. p. iv.; Tom. III. pp.
xliv.-lvi. As Berceo was ordained Deacon in 1221, he must have
been born as early as 1198, since deacon’s orders were not taken
before the age of twenty-three. See some curious remarks on the
subject of Berceo in the “Examen Crítico del Tomo Primero de el
Anti-Quixote,” (Madrid, 1806, 12mo, pp. 22 et seq.,) an anonymous
pamphlet, written, I believe, by Pellicer, the editor of Don
Quixote.
Public-domain text, read in full here on John Shaqi.
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