French fiction -- Translations into English; Short stories, French -- Translations into English
About one hundred yards from Vendôme, on the banks of the Loire, there
stands an old dark-coloured house, surmounted by a very high roof, and
so completely isolated that there is not in the neighbourhood a single
evil-smelling tannery or wretched inn, such as we see in the outskirts
of almost every small town. In front of the house is a small garden
bordering the river, in which the boxwood borders of the paths, once
neatly trimmed, now grow at their pleasure. A few willows, born in the
Loire, have grown as rapidly as the hedge which encloses the garden,
and half conceal the house. The plants which we call weeds adorn the
slope of the bank with their luxuriant vegetation. The fruit-trees,
neglected for ten years, bear no fruit; their offshoots form a dense
undergrowth. The espaliers resemble hornbeam hedges. The paths,
formerly gravelled, are overrun with purslane; but, to tell the truth,
there are no well-marked paths.
From the top of the mountain upon which hang the ruins of the old
château of the Dukes of Vendôme, the only spot from which the eye
can look into this enclosure, you would say to yourself that, at a
period which it is difficult to determine, that little nook was the
delight of some gentleman devoted to roses and tulips, to horticulture
in short, but especially fond of fine fruit. You espy an arbour, or
rather the ruins of an arbour, beneath which a table still stands, not
yet entirely consumed by time. At sight of that garden, which is no
longer a garden, one may divine the negative delights of the peaceful
life which provincials lead, as one divines the existence of a worthy
tradesman by reading the epitaph on his tombstone. To round out the
melancholy yet soothing thoughts which fill the mind, there is on one
of the walls a sun-dial, embellished with this commonplace Christian
inscription: ULTIMAM COGITA. The roof of the house is terribly
dilapidated, the blinds are always drawn, the balconies are covered
with swallow's-nests, the doors are never opened. Tall weeds mark with
green lines the cracks in the steps; the ironwork is covered with rust.
Moon, sun, winter, summer, snow, have rotted the wood, warped the
boards, and corroded the paint.
Public-domain text, read in full here on John Shaqi.
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