French fiction -- Translations into English; Short stories, French -- Translations into English
The deathly silence which reigns there is disturbed only by the birds,
the cats, the martens, the rats and the mice, which are at liberty
to run about, to fight, and to eat one another at their will. An
invisible hand has written everywhere the word MYSTERY. If, impelled
by curiosity, you should go to inspect the house on the street side,
you would see a high gate arched at the top, in which the children of
the neighbourhood have made numberless holes. I learned later that
that gate had been condemned ten years before. Through these irregular
breaches you would be able to observe the perfect harmony between the
garden front and the courtyard front. The same disorder reigns supreme
in both. Tufts of weeds surround the pavements. Enormous cracks furrow
the walls, whose blackened tops are enlaced by the countless tendrils
of climbing plants. The steps are wrenched apart, the bell-rope is
rotten, the gutters are broken. "What fire from heaven has passed this
way? What tribunal has ordered salt to be strewn upon this dwelling?
Has God been insulted here? Has France been betrayed?" Such are the
questions which one asks one's self. The reptiles crawl hither and
thither without answering. That empty and deserted house is an immense
riddle, the solution of which is known to no one.
It was formerly a small feudal estate and bore the name of La Grande
Bretèche. During my stay at Vendôme, where Desplein had left me to
attend a rich patient, the aspect of that strange building became
one of my keenest pleasures. Was it not more than a mere ruin? Some
souvenirs of undeniable authenticity are always connected with a
ruin; but that abode, still standing, although in process of gradual
demolition by an avenging hand, concealed a secret, an unknown
thought; at the very least, it betrayed a caprice. More than once, in
the evening, I wandered in the direction of the hedge, now wild and
uncared for, which surrounded that enclosure. I defied scratches, and
made my way into that ownerless garden, that estate which was neither
public nor private; and I remained whole hours there contemplating its
disarray. Not even to learn the story which would doubtless account
for that extraordinary spectacle would I have asked a single question
of any Vendômese gossip. Straying about there, I composed delightful
romances, I abandoned myself to little orgies of melancholy which
enchanted me.
Public-domain text, read in full here on John Shaqi.
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