Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard ShawHuneker, James
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Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard Shaw
Huneker, James
Dramatists; European drama -- 19th century -- History and criticism; European drama -- 20th century -- History and criticism
Then enters Kara, the peasant, pursued by the house-carles of Hjördis,
and her motive is sounded for the first time in this drama of thwarted
love and hate. The wretched peasant has killed a subject of the Queen.
She is revengeful. He pleads for his life and is promised protection.
Hjördis soon appears. She looks like the traditional Valkyr and is
armed with a lance. Her nature is expressed in the cold way she greets
her foster sister, Dagny, though her face brightens at the sight of
Sigurd.
Violently reproached by her foster father, Hjördis responds in kind.
Let Gunnar be weak; let him renew his pact of friendship with Sigurd.
_She_ owes nothing to Oernulf. He has slain her real father in unfair
fight--then she is called a wanton by the angry chieftain and her rage
flames up so that the dark rocks upon which they all stand seem to be
illumined. Kara, in the interim, has gone away muttering his vengeance;
Hjördis, dissimulating, invites all to a great feast in Gunnar's house
and departs. Sigurd would go. Dagny mistrusts. At last Sigurd tells his
too-long-kept secret. It was he that slew the white bear and won the
woman beloved of Gunnar. Dagny is amazed, and after being conjured by
her husband to keep precious this story she promises. But she wistfully
regards the ring upon her arm, the ring of Hjördis, plucked from her
wrist by Sigurd (the ring of the Nibelungs!). Sigurd bids her hide it,
for if Hjördis catches a glimpse of it the deception will be as plain
as the round shield of the sun blazing on high. And then--woe to all!
The curtains close.
Act II is devoted to the feast and the strange events which happened
thereat. Ibsen's magic now begins to work. His psychologic bent is felt
the moment after we see Dagny and Hjördis in conference. The mild wife
of Sigurd wonders audibly at the other's depression. Why should she
bemoan her fate with such a house, a fair and goodly abode? Hjördis
turns fiercely upon her and replies, "Cage an eagle and it will bite at
the wires, be they of iron or of gold." But has she not a little son,
Egil? Better no son at all for a mother who is a wanton, a leman! She
recalls with sullen wrath the words of Oernulf. In vain Dagny seeks to
pacify her. The older woman is of the race of Titans. She tells with
pride the story of the queen who took her son and sewed his kirtle fast
to his flesh. So would she treat her Egil!
Public-domain text, read in full here on John Shaqi.
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