Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard ShawHuneker, James
History
Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard Shaw
Huneker, James
Dramatists; European drama -- 19th century -- History and criticism; European drama -- 20th century -- History and criticism
"Hjördis, Hjördis!" cries the tender-hearted listener. For this she is
mocked. Hjördis further tortures her by asking if she has accompanied
her husband into battle, into the halls of the mighty. "Didst thou
not don harness and take up arms?" Dagny answers in the negative.
Gunnar is extolled for his deed, a mighty deed as yet not excelled by
Sigurd. The listener seems on the point of denying this Hjördis notes
her agitation and presses her, but Dagny is faithful to her word; she
keeps Sigurd's secret. Then in a burst, almost lyric, Hjördis confesses
her love for combat to the sisters of Hilda, the terrible Valkyrs who
fly in the sky, carrying dead warriors to Valhall. She loves, too,
witchcraft, and would be a witch-wife astride of a whale and skim the
storm waves. "Thou speakest shameful things," says the frightened
Dagny, and is scoffed at for her timidity.
Gradually the feast begins. The warriors assemble. I cannot say that
I admired their costumes, reminding me, as they did, of crazy-quilts.
Sigurd and Gunnar enter arm in arm. Egil, the hope of Gunnar's house,
has been sent away; his father feared the descent of Oernulf and his
men. He now regrets the absence of his boy. Oernulf is not present,
but is represented by his youngest son, Thorolf. After the drinking
has begun the trouble-breeding Hjördis weaves her spell of disaster.
She sets boasting the warriors, forces the hapless Gunnar to describe
how he slew the great white bear, and openly proclaims him a better
man than Sigurd. Even this breach of hospitality does not embitter the
friends. Thorolf, however, is hot, imprudent, and at a chance word from
Hjördis is set on fire. Miss Terry, it must be confessed, played this
entire scene with great dexterity. Her broken phrases,--for she has
not a prolonged note in her compass,--her scornful mien, her raucous
voice, and shrewish gestures were admirable agents for the expression
of ill-stifled hate. Taunted beyond his self-control, Thorolf tells
the woman that Egil has been kidnapped by Oernulf and his other sons.
Instantly she screams that Egil has been slain. Thorolf leaves,
swearing that he will be avenged; that, "Ere eventide shall Gunnar and
his wife be childless."
Public-domain text, read in full here on John Shaqi.
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