It is the great city’s one hour of purity, of dignity. The very rag-picker, groping with her filthy hands among the ashes, instead of an object of contempt, moves from door to door an accusing Figure, her thin soiled garments, her bent body, her scarred face, hideous with the wounds of poverty, an eloquent indictment of smug Injustice, sleeping behind its deaf shutters. Yet even into her dim brain has sunk the peace that fills for this brief hour the city. This, too, shall have its end, my sister! Men and women were not born to live on the husks that fill the pails outside the rich man’s door. Courage a little while longer, you and yours. Your rheumy eyes once were bright, your thin locks once soft and wavy, your poor bent back once straight; and maybe, as they tell you in their gilded churches, this bulging sack shall be lifted from your weary shoulders, your misshapen limbs be straight again. You pass not altogether unheeded through these empty streets. Not all the eyes of the universe are sleeping. The little seamstress, hurrying to her early work! A little later she will be one of the foolish crowd, joining in the foolish laughter, in the coarse jests of the work-room: but as yet the hot day has not claimed her. The work-room is far beyond, the home of mean cares and sordid struggles far behind. To her, also, in this moment are the sweet thoughts of womanhood. She puts down her bag, rests herself upon a seat. If all the day were dawn, this city of the morning always with us! A neighbouring clock chimes forth the hour. She starts up from her dream and hurries on—to the noisy work-room. A pair of lovers cross the park, holding each other’s hands. They will return later in the day, but there will be another expression in their eyes, another meaning in the pressure of their hands. Now the purity of the morning is with them. Some fat, middle-aged clerk comes puffing into view: his ridiculous little figure very podgy. He stops to take off his hat and mop his bald head with his handkerchief: even to him the morning lends romance. His fleshy face changes almost as one looks at him. One sees again the lad with his vague hopes, his absurd ambitions.