Illuminated illustrations of Froissart; Selected from the ms. in the Bibliothèque royale, Paris, and from other sourcesFroissart, Jean
History
Illuminated illustrations of Froissart; Selected from the ms. in the Bibliothèque royale, Paris, and from other sources
Froissart, Jean
Froissart, Jean, 1338?-1410? Chroniques -- Illustrations; Illumination of books and manuscripts -- Specimens
EXECUTION OF SIR HUGH SPENCER.
Froissart relates that so many powerful Barons joined the party of Queen
Isabella and her son, that they determined to besiege the city of
Bristol, where the King and the Spencers then were. The King and the
younger Spencer retired to the Castle, whilst the elder Spencer, then
ninety years of age, and the Earl of Arundel, who had married his
grand-daughter, remained in the town; which being surrendered by the
citizens, they were taken prisoners and executed in front of the Castle,
in sight of the King and the younger Spencer. The weak King and his
favourite, seeing no other chance of escape, embarked secretly in a
small boat at the back of the Castle, thinking to gain the coast of
Wales, but being driven back by stress of weather, they were perceived
and captured. The King was sent under strong guard to Berkely Castle, by
the advice of the Barons, where he remained a prisoner till his death;
thus closing one of the most inglorious reigns of the English annals.
Sir Hugh Spencer was led to Hereford, where the feast of All Saints was
celebrated with great magnificence, in honour of the noble foreigners,
who had so mainly contributed to the successful termination of the cause
of the Queen and Prince Edward. Chapter XIII., at the head of which is
the Illumination represented in Plate II., commences “Quant la feste fut
passée le Messᵉ Huon, qui point nestoit aimé la,” &c. &c.--“_when the
feast was over, Sir Huon, who was not beloved in those parts_, was
brought before the Queen and the assembled Barons and Knights.” He was
condemned to death, and executed with horrible mutilation, being affixed
to a high ladder in the market-place, in order that the disgusting
ceremony might be visible to all the assembled populace[2].
The Illumination is executed with exquisite care and neatness, and the
whole page surrounded with an elaborately wrought border of great
beauty. Our plate only takes in a portion of one column and the
adjoining angle of the border.
[Illustration: <f>Coronation of Edward III. on Christmas day 1326.</f>]
PLATE III.
THE CORONATION OF KING EDWARD III.
Edward II. being formally deposed in a general assembly of the great
Barons, his eldest son was called to the throne, and crowned on
Christmas-day, 1326, in the sixteenth year of his age, “during the
lifetime of his father.”
The Illumination only represents the group immediately surrounding the
King, but is very carefully executed; the white draperies in particular
being very elaborately finished. The chair or throne bears sufficient
resemblance to that (so called) of Edward the Confessor, in Westminster
Abbey, as to lead one to suppose that a description, or perhaps a rough
sketch, had been furnished to the artist.
[Illustration: <f>The funeral of Philip of Valois, King of France.</f>]
PLATE IV.
THE FUNERAL OF PHILIP OF VALOIS, KING OF FRANCE.
Public-domain text, read in full here on John Shaqi.
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