Illuminated illustrations of Froissart; Selected from the ms. in the Bibliothèque royale, Paris, and from other sources — John Shaqi
Illuminated illustrations of Froissart; Selected from the ms. in the Bibliothèque royale, Paris, and from other sourcesFroissart, Jean
History
Illuminated illustrations of Froissart; Selected from the ms. in the Bibliothèque royale, Paris, and from other sources
Froissart, Jean
Froissart, Jean, 1338?-1410? Chroniques -- Illustrations; Illumination of books and manuscripts -- Specimens
Charles, son of Philip the Fair, having died in the year 1326 without
heirs male, though thrice married, the twelve Peers and Barons of France
assembled at Paris, and with one consent gave the throne to Philip of
Valois, nephew of Philip the Fair, to the exclusion of Isabella, Queen
of England, and her son, who stood in the more direct line, she being
sister to the late king; the Council, however, determined, according to
Froissart, “that the kingdom of France was of such great nobleness, that
it ought not to fall by succession to a female;” thus, says Froissart,
“as it seemed to many people, the succession went out of the right line,
which has been the occasion of the most destructive wars and
devastations of countries, as well in France as elsewhere, as you will
learn hereafter; the real object of this history being to relate the
great enterprises and deeds of arms achieved in these wars; for, from
the time of good Charlemagne, King of France, never were such feats
performed.”
The son of Isabella, when crowned King Edward III., was soon persuaded
to lay claim to the throne of Philip, who, during a reign of twenty-four
years, maintained the war with various success, suffering among his
reverses the ever-memorable defeat of Crecy. He died at Nogent-le-roi,
in the year 1350, and his burial, which took place at St. Denis, is
graphically delineated in the accompanying Illumination.
The architectural portion of the picture is very carefully drawn, and
the dresses of the figures bearing the coffin are executed in a very
beautiful manner. The style of arrangement is somewhat different from
many other of the Illuminations in this noble MS.; the figures being
fewer and larger in proportion to the picture, and the landscape portion
made quite subordinate, whilst it is generally treated with extreme care
as a principal feature of the composition.
[Illustration: <f>Edward the third takes Berwick.</f>]
PLATE V.
EDWARD III. TAKES BERWICK.
Public-domain text, read in full here on John Shaqi.
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