Silver is next weighed out for the quartation (alloying), and as the assay piece, if standard, should contain 900-thousandths of gold, there must be three times this weight, or 2700-thousandths of silver; and this is the quantity used. The lead used for the cupellation is kept prepared in thin sheets, cut in square pieces, which should each weigh about ten times as much as the gold under assay. The lead is now rolled into the form of a hollow cone; and into this are introduced the assay gold and the quartation silver, when the lead is closed around them and pressed into a ball. The furnace having been properly heated, and the cupels placed in it and brought to the same temperature, the leaden ball, with its contents, is put into a cupel (a small cup made of burned bones, capable of absorbing base metals), the furnace closed, and the operation allowed to proceed, until all agitation is ceased to be observed in the melted metal, and its surface has become bright. This is an indication that the whole of the base metals have been converted into oxides, and absorbed by the cupel. The cupellation being thus finished, the metal is allowed to cool slowly, and the disc or button which it forms is taken from the cupel. The button is then flattened by a hammer; is annealed by bringing it to a red heat; is laminated by passing it between the rollers; is again annealed; and is rolled loosely into a spiral or coil called a _cornet_. It is now ready for the process of quartation. This was formerly effected in a glass matrass, and that mode is still used occasionally, when there are few assays. But a great improvement, first introduced into this country by the Assayer in 1867, was the—“platinum apparatus,” invented in England. It consists of a platinum vessel in which to boil the nitric acid, which is to dissolve out the silver, and a small tray containing a set of platinum thimbles with fine slits in the bottom. In these the silver is taken out, by successive supplies of nitric acid, without any decanting as in the case of glass vessels. The cornets are also annealed in the thimbles; in fact there is no shifting from the coiling to the final weighing, which determines the fineness of the original sample by proportionate weights in thousandths. In this process extra care has to be taken in adding the proportions of silver, as the “shaking” of any one cornet, might damage the others. ASSAYING SILVER.