Buddhism; Folklore -- Japan; Japan -- Social life and customs
“To Western thinking,” I made answer, “Shinzaburō is a despicable
creature. I have been mentally comparing him with the true lovers of
our old ballad-literature. They were only too glad to follow a dead
sweetheart into the grave; and nevertheless, being Christians, they
believed that they had only one human life to enjoy in this world. But
Shinzaburō was a Buddhist,—with a million lives behind him and a
million lives before him; and he was too selfish to give up even one
miserable existence for the sake of the girl that came back to him from
the dead. Then he was even more cowardly than selfish. Although a
samurai by birth and training, he had to beg a priest to save him from
ghosts. In every way he proved himself contemptible; and O-Tsuyu did
quite right in choking him to death.”
“From the Japanese point of view, likewise,” my friend responded,
“Shinzaburō is rather contemptible. But the use of this weak character
helped the author to develop incidents that could not otherwise,
perhaps, have been so effectively managed. To my thinking, the only
attractive character in the story is that of O-Yoné: type of the
old-time loyal and loving servant,—intelligent, shrewd, full of
resource,—faithful not only unto death, but beyond death…. Well, let us
go to Shin-Banzui-In.”
We found the temple uninteresting, and the cemetery an abomination of
desolation. Spaces once occupied by graves had been turned into
potato-patches. Between were tombs leaning at all angles out of the
perpendicular, tablets made illegible by scurf, empty pedestals,
shattered water-tanks, and statues of Buddhas without heads or hands.
Recent rains had soaked the black soil,—leaving here and there small
pools of slime about which swarms of tiny frogs were hopping.
Everything—excepting the potato-patches—seemed to have been neglected
for years. In a shed just within the gate, we observed a woman cooking;
and my companion presumed to ask her if she knew anything about the
tombs described in the Romance of the Peony-Lantern.
“Ah! the tombs of O-Tsuyu and O-Yoné?” she responded, smiling;—“you
will find them near the end of the first row at the back of the
temple—next to the statue of Jizo.”
Surprises of this kind I had met with elsewhere in Japan.
We picked our way between the rain-pools and between the green ridges
of young potatoes,—whose roots were doubtless feeding on the sub-stance
of many another O-Tsuyu and O-Yoné;—and we reached at last two
lichen-eaten tombs of which the inscriptions seemed almost obliterated.
Beside the larger tomb was a statue of Jizo, with a broken nose.
“The characters are not easy to make out,” said my friend—“but wait!”….
He drew from his sleeve a sheet of soft white paper, laid it over the
inscription, and began to rub the paper with a lump of clay. As he did
so, the characters appeared in white on the blackened surface.
Public-domain text, read in full here on John Shaqi.
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