Independence National Historical Park, Philadelphia, Pa.Riley, Edward M.
History
Independence National Historical Park, Philadelphia, Pa.
Riley, Edward M.
Independence National Historical Park (Philadelphia, Pa.)
During the years after the restoration of the Assembly Room in 1831, a
few paintings and other objects were purchased by, or presented to, the
City for exhibition. One of the first acquisitions was the wooden statue
of George Washington, by William Rush, which long occupied the east end
of the room. It was not until 1854, however, that the City made any real
effort to establish a historical collection for Independence Hall. In
that year, at the sale of Charles Willson Peale’s gallery, the City
purchased more than 100 oil portraits of Colonial, Revolutionary, and
early Republican personages.
Following the acquisition of Peale’s portraits, the Assembly Room was
refurnished and these paintings hung on the walls. On February 22, 1855,
the Mayor opened the room to the public. From that day on, many relics
and curios were accepted by the City for display in this chamber.
[Illustration: _Independence Hall group in 1853._ Engraving of a
drawing by Devereux. Courtesy Philadelphia Free Library.]
During the Civil War, the “Hall” (or Assembly Room) served a solemn
purpose. From 1861 on, the bodies of many Philadelphia soldiers killed
in the war, and, in 1865, the body of President Lincoln lay in state
there. Such use of the room was not new, however, for John Quincy Adams,
in 1848, Henry Clay, in 1852, and the Arctic explorer, Elisha Kent Kane,
in 1857, lay in state in the venerable room.
In 1860, a movement was begun by the children of the public schools of
Philadelphia to erect a monument to Washington. When the fund was nearly
raised, the Councils provided a space on the pavement directly opposite
the Chestnut Street entrance. The statue, executed by J. A. Bailey, was
unveiled on July 5, 1869.
[Illustration: _In 1855, the Assembly Room became a portrait
gallery, following acquisition by the City of Charles Willson
Peale’s oil paintings of Colonial and Revolutionary figures. (Note
Liberty Bell on ornate pedestal in corner and Rush’s wooden statue
of Washington in center background.)_ Engraving from _Illustrated
London News_, December 15, 1860. Independence Hall collection.]
Public-domain text, read in full here on John Shaqi.
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