There was also a definite psychological purpose behind the Shaker marches, seldom explained, and rarely understood by the general Public. The perfect rhythmic body motions, of a worshipper, who combined this activity with a deep mental and religious fervor, developed within himself, a great spiritual inspiration, almost impossible to understand or describe, by one who has never witnessed or participated in this form of worship. But if one could have been present, as I was, and could have seen the perfect spiritual union, that was produced, when a soul combined the physical motions, the singing voice and the dedicated heart, in giving praise and thanks to God—I’m sure you would have agreed that the physical motions added a still greater dimension to the expression of Prayer. However, as years passed, and older members were unable to join in these marches, the exercises were discontinued, as it was considered necessary to maintain a perfect union among the members, a service in which all may participate as One. Today, our Church Service is quiet and more formal, resembling, perhaps the Prayer meetings held in many of the churches of other denominations. The first organ was introduced into the Society, by Elder Henry Blinn. It was one of the first built by the Prescott Organ Co., of Concord, N. H., and can be seen today, still in working condition, in our little Museum, right here at the Canterbury Village. When purchased, it was placed in the School House, where the members gathered for instruction in the reading of notes. The introduction of instrumental music was quite an innovation among the Shakers. Eldress Dorothy Durgin felt that music added refinement to a young person, so she made a trip to a Music Company in Boston, to negotiate the purchase of a second organ for instrumental practices. Eldress Dorothy possessed a gracious, winning personality, and so impressed the proprietor of the Company, that he presented the Society at Canterbury with a fine cabinet organ. The first piano was introduced in 1872. Later, pianos owned and brought in by those who joined the Society, provided added facilities for instrumental practice. In order to encourage this musical movement, Eldress Dorothy held monthly recitals, at which each pupil was represented, everyone, from the beginner, who could do but simple finger exercises, to the more advanced student, who could, perhaps, master the difficult music of the classics. Every child who desired, was given the opportunity for musical instruction whether so gifted or not.