Irish ImpressionsChesterton, G. K. (Gilbert Keith)
History
Irish Impressions
Chesterton, G. K. (Gilbert Keith)
Ireland -- Civilization; Irish question
for any official who interferes with them will certainly get into hot
water. We cannot separate mothers and children in that strange land. We
can only return to some of our older historical methods and massacre
them together.
A small incident within my own short experience, however, illustrated
the main point involved here; the sense of a peasant base even of
the proletarian attack. And this was exemplified not in any check to
Labour, but rather in a success for Labour, in so far as the issue
of a friendly and informal debate may be classed with its more solid
successes. The business originally began with a sort of loose-jointed
literary lecture which I gave in the Dublin Theatre, in connection with
which I only mention two incidents in passing, because they both struck
me as peculiarly native and national. One concerned only the title
of my address, which was ‘Poetry and Property.’ An educated English
gentleman, who happened to speak to me before the meeting, said with
the air of one who foresees that such jokes will be the death of him,
‘Well, I have simply given up puzzling about what you can possibly
mean, by talking about poetry as something to do with property.’ He
probably regarded the combination of words as a mere alliterative
fantasy, like Peacocks and Paddington, or Polygamy and Potatoes; if
indeed he did not regard it as a mere combination of incompatible
contrasts, like Popery and Protestants, or Patriotism and Politicians.
On the same day an Irishman of similar social standing remarked quite
carelessly, ‘I’ve just seen your subject for to-morrow. I suppose the
Socialists will reply to you,’ or words to that effect. The two terms
told him at once, not about the lecture (which was literary if it was
anything), but about the whole philosophy underlying the lecture; the
whole of that philosophy which the lumbering elephant called by Mr Shaw
the Chesterbelloc laboriously toils to explain in England, under the
ponderous title of Distributivism. As Mr Hugh Law once said, equally
truly, about our pitting of patriotism against imperialism, ‘What is a
paradox in England is a commonplace in Ireland.’ My actual monologue,
however, dealt merely with the witness of poetry to a certain dignity
in man’s sense of private possessions, which is certainly not either
vulgar ostentation or vulgar greed. The French poet of the Pleiade
remembers the slates on his own roof almost as if he could count them.
And Mr W. B. Yeats, in the very wildest vision of a loneliness remote
and irresponsible, is careful to make it clear that he knows how many
bean-rows make nine. Of course there were people of all parties in the
theatre, wild Sinn Feiners and conventional Unionists, but they all
listened to my remarks as naturally as they might have all listened to
an equally incompetent lecture on Monkeys or on the Mountains of the
Moon. There was not a word of politics, least of all party politics,
in that particular speech; it was concerned with a tradition in art,
Public-domain text, read in full here on John Shaqi.
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