London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
Thomas Meres was a literary man, and of the romance of authorship knew
as little--as do most authors. He got a living by his pen, and that was
all; for any pleasure which his daily task brought him he might as well
have lived by tailoring. Once he had hoped to shine by means of his
talents. In those days authorship meant glory. Now it meant unremitting
toil, often of the dullest and dreariest kind, scarcely ever on subjects
for which he cared. He had published books, and had the satisfaction
of seeing them mildly praised by the reviewers, then forgotten; now he
wrote books no longer, but--_eheu!_--himself criticised those of others,
or penned the interminable “article.” At times he felt that he must
stop, that his hand would work no longer; but its exercise had in truth
become almost automatic, and it was well for himself and his children
that it had. When he received the editorship of _Ropers Miscellany_
he was at first delighted, not only on account of the most acceptable
salary, but also because he felt that it was an accession of dignity.
Formerly he had dreamed with trembling of the possibility that he might
one day be an editor. But this, too, took on its true proportions when
he had grown used to the chair. The toil of reading manuscript was all
but as bad as that of producing it. One pleasure which had been wont to
come from his literary work had in the course of time failed him. It had
been his habit to send the best things of his writing to Mrs. Clarendon;
and at first she had seemed glad to have and to read them. But he had
discovered that her interest was failing, that she did not always even
glance at what he sent. Then he sent no more. Yet, by keeping up that
interest, Isabel could have put joy into a life which sadly needed it,
could have smoothed a road which was very rough to travel.
Public-domain text, read in full here on John Shaqi.
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