Lectures on the true, the beautiful and the good — John Shaqi
Lectures on the true, the beautiful and the goodCousin, Victor
Philosophy
Lectures on the true, the beautiful and the good
Cousin, Victor
Aesthetics; Ethics; Truth
LECTURE VII.--THE BEAUTIFUL IN OBJECTS 140
Refutation of different theories on the nature of the beautiful:
the beautiful cannot be reduced to what is useful.--Nor to
convenience.--Nor to proportion.--Essential characters of the
beautiful.--Different kinds of beauties. The beautiful and the
sublime. Physical beauty. Intellectual beauty. Moral
beauty.--Ideal beauty: it is especially moral beauty.--God, the
first principle of the beautiful.--Theory of Plato.
LECTURE VIII.--ON ART 154
Genius:--its attribute is creative power.--Refutation of the
opinion that art is the imitation of nature--M. Emeric David,
and M. Quatremere de Quincy.--Refutation of the theory of
illusion. That dramatic art has not solely for its end to excite
the passions of terror and pity.--Nor even directly the moral
and religious sentiment.--The proper and direct object of art is
to produce the idea and the sentiment of the beautiful; this
idea and this sentiment purify and elevate the soul by the
affinity between the beautiful and the good, and by the relation
of ideal beauty to its principle, which is God.--True mission of
art.
LECTURE IX.--THE DIFFERENT ARTS 165
Expression is the general law of art.--Division of
arts.--Distinction between liberal arts and trades.--Eloquence
itself, philosophy, and history do not make a part of the fine
arts.--That the arts gain nothing by encroaching upon each
other, and usurping each other's means and
processes.--Classification of the arts:--its true principle is
expression.--Comparison of arts with each other.--Poetry the
first of arts.
LECTURE X.--FRENCH ART IN THE SEVENTEENTH CENTURY 178
Expression not only serves to appreciate the different arts, but
the different schools of art. Example:--French art in the
seventeenth century. French poetry:--Corneille. Racine. Moliere.
La Fontaine. Boileau.--Painting:--Lesueur. Poussin. Le Lorrain.
Champagne.--Engraving.--Sculpture:--Sarrazin. The Anguiers.
Girardon. Pujet.--Le Notre.--Architecture.
PART THIRD.--THE GOOD.
LECTURE XI.--PRIMARY NOTIONS OF COMMON SENSE 215
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