It was a strange sight,—the picturesque group, and the contrast between the quiet manners of the true Malay and the grotesque fun of the half-negro. The latter made his tambourine do duty as a drum, rattled the bits of brass so as to produce an indescribable effect, nodded and grinned in wild excitement, and drank beer while his comrade took water. The dancing was uninteresting enough. The Dutchmen danced badly, and said not a word, but plodded on so as to get all the dancing they could for their money. I went to bed at half-past eleven, but the ball went on till four. Next night there was genteeler company, and I did not go in, but lay in bed listening to the Malay’s playing. He had quite a fresh set of tunes, of which several were from the ‘Traviata’! Yesterday was a real African summer’s day. The D—s had a tent and an awning, one for food and the other for drink, on the ground where the shooting took place. At twelve o’clock Mrs. D— went down to sell cold chickens, &c., and I went with her, and sat under a tree in the bed of the little stream, now nearly dry. The sun was such as in any other climate would strike you down, but here _coup de soleil_ is unknown. It broils you till your shoulders ache and your lips crack, but it does not make you feel the least languid, and you perspire very little; nor does it tan the skin as you would expect. The light of the sun is by no means ‘golden’—it is pure white—and the slightest shade of a tree or bush affords a delicious temperature, so light and fresh is the air. They said the thermometer was at about 130° where I was walking yesterday, but (barring the scorch) I could not have believed it. It was a very amusing day. The great tall Dutchmen came in to shoot, and did but moderately, I thought. The longest range was five hundred yards, and at that they shot well; at shorter ranges, poorly enough. The best man made ten points. But oh! what figures were there of negroes and coloured people! I longed for a photographer. Some coloured lads were exquisitely graceful, and composed beautiful _tableaux vivants_, after Murillo’s beggar-boys.