As every poet since Homer has done his utmost to clothe in fitting language a description of the best specimen of the class which it may have been his hap to meet with, and as no man in his senses would exchange half-an-hour of the society of one of the originals for all the fanciful descriptions of women that ever were written, we would fain be excused from adding one more to the number; and were all our readers of what grammarians most ungallantly term “the worthier gender,” we should cut the matter short by begging each man to imagine the damsel in question exactly like the “unexpressive she” who is, for the time being, queen of his soul. But as we flatter ourselves certain bright eyes will sparkle and coral lips smile over this “o’er true tale,” and as we have already been asked by “oceans” of young ladies, “What is the heroine to be like?” we will e’en make a virtue of necessity and give a _catalogue raisonné_ of her many perfections. Annie Grant, then (for we’ll have no disguise about the matter, but own at once that she it _was_ who entered the drawing-room unperceived, and that she it _is_ who is destined to play the heroine in this our drama of the Railroad of Life; and be it observed interparenthetically that we use the theatrical metaphor advisedly, for Shakespeare has told us that “all the world’s a stage,” and it is a matter of common notoriety that in the present day all stages have become railroads)--Annie Grant, then, we say, was rather above the middle height, though no one would have thought of pronouncing her tall; her gown of _mousseline--poil de_--psha! what are we thinking of?--she had not a gown on at all; how should she, when she was going to ride directly after luncheon? No, her habit, which fitted to perfection, was well calculated to set off her slight but singularly graceful figure to the best advantage. Her hair, which was braided in broad plaits for the greater convenience (seeing that ringlets under a riding-hat are an anomaly, not to say an abomination), was _really_ auburn,--by which definition we intend to guard against the pale red, or warm, sand-coloured locks which usually pass current for the very rare but very beautiful tint we would particularise,--and if a poet had speculated as to the probability of some wandering sunbeam being imprisoned in its golden meshes, the metaphor, though fanciful, would not have been unapt. Delicate, regular features, large blue eyes, now dancing and sparkling with mischievous glee, now flashing with pride, a mouth like an expressive rosebud, a clear skin, with a warm glow of health painting each velvet cheek, but retreating from the snowy forehead, combined to form a whole on which to gaze was to admire.