Little rays of moonshineHerbert, A. P. (Alan Patrick)
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Little rays of moonshine
Herbert, A. P. (Alan Patrick)
English essays -- 20th century; English wit and humor
Some of them kept themselves as upright as possible, swaying slightly
like willows from the hips, and some of them contorted themselves into
strange and angular shapes, now leaning perilously forward till they
were practically lying upon their terrified partners, and now bending
sideways as a man bends who has water in one ear after bathing. All of
them clutched each other in a close and intimate manner, but some, as
if by separation to intensify the joy of their union, or perhaps to
secure greater freedom for some particular spacious manœuvre, would
part suddenly in the middle of the room and, clinging distantly with
their hands, execute a number of complicated side-steps in opposite
directions, or aim a series of vicious kicks at each other, after which
they would reunite in a passionate embrace and gallop in a frenzy round
the room, or fall into a trance, or simply fall down. If they fell down
they lay still for a moment in the fearful expectation of death, as
men lie who fall under a horse; and then they would creep on hands and
knees to the wall through the whirling and indifferent crowd.
Watching them, you could not tell what any one couple would do next.
The most placid and dignified among them might at any moment fling a
leg out behind them and almost kneel in mutual adoration, and then,
as if nothing unusual had happened, shuffle onward through the press;
or, as though some electric mechanism had been set in motion, they
would suddenly lift a foot sideways and stand on one leg. Poised
pathetically, as if waiting for the happy signal when they might put
the other leg down, these men looked very sad, and I wished that
the Medusa’s head might be smuggled somehow into the room for their
attitudes to be imperishably recorded in cold stone; it would have been
a valuable addition to modern sculpture.
Upon this whirlpool I embarked with the greatest misgiving and a
strange young woman clinging to my person. The noise was deafening.
The four black men were now all shouting at once and playing all their
instruments at once, working up to the inconceivable uproar of the
finale; and all the dancers began to dance with a last desperate fury.
Bodies buffeted one from behind, and while one was yet looking round in
apology or anger more bodies buffeted one from the flank. It was like
swimming in a choppy sea, where there is no time to get the last wave
out of your mouth before the next one hits you.
Public-domain text, read in full here on John Shaqi.
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