Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
in finding one who adopted his own principles--looked up to him as a
master, and added to the value of his admiration, the fact of being
himself a man of genius. After Voltaire had quarrelled with him, he
spoke in a jocular tone of their mutual flattery; but still in a way
that shows how deeply it sank at the time. "The prince," he writes,
"employed his leisure in writing to the literary men of France, and the
principal burden of his correspondence fell on me. I received letters in
verse, metaphysical, historical, and political. He treated me as a
divine man; I called him Solomon; epithets which cost us nothing. Some
of these follies have been printed among my works; but, fortunately, not
the thirtieth part. I took the liberty to send him a very beautiful
writing desk; he was kind enough to present me with some trifles in
amber; and the coffee-house wits of Paris fancied, with horror, that my
fortune was made. He sent a young Courlander, named Keyserling,--no bad
writer of French verses himself,--from the confines of Pomerania, to us
at Cirey. We gave him a fête, and a splendid illumination in which the
cipher of the prince was hung with lamps, with the device, "The Hope of
the Human Race." In his pique, Voltaire speaks too slightingly. Had he
not been a prince, the correspondence of Frederic was worth having; it
is full of good sense and philosophical remark. It was a more
disagreeable task to correct his verses. Yet these are by no means had;
they are nearly as good as Voltaire's own. There is less pretension, but
often more spirit. The whole mass has no real claim to be called poetry;
and in these days nobody reads either: but when they were written, and
had the gloss of novelty, and the interest of passing events and living
men appended, they were at least respectable specimens of a talent,
which in its own sphere could attain much higher things.
Public-domain text, read in full here on John Shaqi.
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