London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
A landscape, with the flight into Egypt, by Domenichino.
A landscape, by Courtois.
Two landscapes, by Godfrey.
Tobias curing his father’s eyes, by Rembrandt.
Morning and Evening, by Berghem.
A landscape, by Old Patelle.
The wise men offering, by Rotenhamer.
A landscape, by Wovermans.
Ruins, by Viviano.
View of the Colisæum, by Paulo Panini.
Dead game, by Baltazar Caro.
Architecture, by Ghisolfi.
A landscape, by Swanevelt.
A landscape with rocks, by Teniers, or P. Snayer.
A landscape, by Van Zwierin.
A landscape with others, by Teniers.
Two landscapes, by Vincaboon.
A landscape, by Fr. Miel.
A view of Willybos, by T. Molinaer.
A landscape, by Both and Bodwyn.
Iphigenia, after Bourdon.
A landscape, by P. Brill, or Vincaboon.
A white fox or racoon, by Hondicooter.
A small gale, by Vandervelde.
A landscape, by Both.
A landscape, by De Vries.
The fable of the Satyr and clown, by Sorgue.
A landscape, by Ruysdale.
Ditto, by Both.
A philosopher’s head, by Pietro da Pietri.
A battle, by Tillemans.
Ruins, by Ghisolfi.
A landscape, by Fauquier.
Ditto, perhaps Artois.
A sketch of a sea fight, by Vandervelde.
A landscape, with Elijah and the ravens, by R. Savory.
Two pictures of lions and tygers, by J. Vanderbank.
Christ and the Samaritan woman, and Mary Magdalen in the garden, by
Columbell.
Head of Annibal Caracci, by himself.
A view of the Rhine, by Vosterman.
The nativity, a sketch, by Rubens.
A sea piece, by Monamy.
Two landscapes, by Vandiest.
An emblematical picture of Justice, by Solimeni.
Virgin and child, and St. Francis with angels, by Seb. Concha.
St. Francis asleep, an angel fiddling, after Philippo Laura.
A storm, by Vandervelde.
A landscape, by Kierings.
A landscape, by De la Hire.
A copy, from Claude.
A view, with ruins and figures, by Marco and Sebastian Ricci.
A fresh gale, by Vandervelde.
Hagar and Ishmael, by Val. Castelli.
St. Jerome, by Guido.
Riposo, by L. Caracci, or Carlo Cignani.
Two landscapes, by Vorsterman.
Peter in prison, by Stenwick.
Destruction of Sodom, by ditto.
The deluge, by Polemburgh.
Corps de Guard and its companion, by Bamboccio.
A landscape, by Mat. Brill.
A landscape, in imitation of Ruysdale.
A landscape, with a Magdalen, by Teniers.
A landscape, by Ruysdale.
The head of Isaiah, on paper, by Raphael.
A conversation, by Ostade.
A battle, by Bourgognone.
Soldier and boors fighting, Molinaer.
A landscape, Swanevelt.
Belshazzar’s feast, after Rembrandt, by Tillemans.
Still life, Edema.
A hen and chickens, Cradock.
A battle, by Vander Mulen.
The mocking of Christ, by Cheron.
Incendio del Borgo, after Raphael.
Christ and St. Thomas, Cavedone.
Two portraits of P. Cha. and his mother.
A fruit piece, by Mich. Angelo Campidoglio, o da Pace.
David and Solomon, Rubens.
Two landscapes, Annib. Caracci.
A conversation, Seb. Bourdon.
A conversation, with dancing, Annib. Caracci.
A masquerade, Gobbo Caracci.
Public-domain text, read in full here on John Shaqi.
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