Madame Roland: A Biographical StudyTarbell, Ida M. (Ida Minerva)
History
Madame Roland: A Biographical Study
Tarbell, Ida M. (Ida Minerva)
France -- History -- Revolution, 1789-1799; Roland, Madame, 1754-1793
The instruction given by the Dames de la Congrégation was not, however,
any better than that of other institutions of the kind, if the morals
were. The amount of education regarded as necessary for a French girl of
good family at this period was, in fact, very meagre; even girls of the
highest classes being allowed to grow to womanhood in astonishing
ignorance. Madame du Deffand says that in the convent where she was
placed nothing was taught except “reading and writing, a light, very
light tinting of history, the four rules, some needle-work, many
pater-nosters—that was all.” Madame Louise, the sister of Louis XVI.,
did not know her alphabet at twelve, so says Madame Campan. Madame de
Genlis taught her handsome sister-in-law, the favorite of the Duke of
Orleans, to write after she was married. Madame de Genlis herself at
twelve years of age had read almost nothing.
Manon Phlipon’s acquirements when she entered the convent, at a little
over eleven years of age, were certainly much greater than those of
these celebrated women at her age. It is probable that her instruction
was far above that not only of the girls of her age in the school, but
of the most advanced pupils, perhaps even of some of the good sisters
themselves.
The superior training of the new pupil was soon known. The discovery
caused her to be petted by all the sisterhood, and she was granted
special privileges of study. She continued her piano lessons and
drawing, so that she had sufficient work to satisfy her active nature
and to make the leisure given her sweet. This leisure she never passed
with her companions. Her frame of mind was altogether too serious to
permit her to romp like a child. The recreation hours she spent apart,
in a quiet corner of the silent old garden, reading or dreaming,
permeated by the beauty of the foliage, the sigh of the wind, the
perfume of the flowers. All this she felt, in her exalted state, was an
expression of God, a proof of his goodness. With her heart big with
gratitude and adoration, she would leave the garden to kneel in the dim
church, and listen to the chanting of the choir and the roll of the
organ.
Sensitive, unpractical, fervent, the imposing and mystic services
allured her imagination and moved her heart until she lost self-control
and wept, she did not know why.
Public-domain text, read in full here on John Shaqi.
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