Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841Fuller, Margaret
Philosophy
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841
Fuller, Margaret
Mythology, Classical, in art; Mythology, Greek
These respectable old ladies find the little Fable very troublesome, and,
after some scolding, send her away to spin, when, lo! from the recesses
of the cavern all sorts of wonders and strange shapes are spun out. The
Fates are frightened, and they seek History to learn in what manner
they may best rid themselves of the intruder. However much they may
dislike her, she is under their protection, and History can do no more
than advise them to send her out to catch Tarantulas! Fable departs and
meets Eros, who gives her a lyre, upon which she plays, and the venomous
insects swarm about her. The Fates behold her return unharmed! They had
hoped she would be stung to death, and in despair Ate throws her scissors
at the child, who gracefully avoids them. Hereupon the Tarantulas sting
the Fates in the feet, at which they begin to dance. As their clothes are
thick and heavy, this is rather inconvenient exercise, and when Fable
laughs at their distress they send her away to spin them some thin
dresses. Fable is tired of wandering. She plays upon her lyre to the
Tarantulas, bidding them spin, and she will give them three large flies.
When the dresses are done, she carries them immediately to the Fates, who
begin again to dance. The ends of the threads are still in the bodies of
the Tarantulas, who do not like to be jerked about. “Behold the flies
which I promised you,” said Fable.
Thereupon the Tarantulas fall upon the dancing Fates, and a new dynasty
commences, in which Eros reigns, with Fable for prime minister.
MARGARET said that in the story she had told she had set us the example
of wandering from the subject, but she hoped to some purpose. She
hoped no one would have need to call upon little Fable’s body-guard of
Tarantulas.
The subject of the evening was Apollo in contrast with Ceres, or Genius
opposed to Productive Energy. The history of Apollo stood for the
history of thought, its progressive development and its unhappiness.
All the loves of Apollo are miserable. He never labors for himself. He
uses the instruments which others have shaped. He is so delighted with
the lyre, which Mercury, that is Sagacity, has made, that he gives him
the divining-rod, and would give him more, but he cannot. The earnest
simplicity with which Apollo begs Mercury to swear by the sacred Styx not
to steal his quiver or his darts is beautiful! The common understanding,
mere human sagacity, may indeed lay hands on the weapons of the Inspired
One, but it cannot possess them. The ray, the dart, the quiver, of Apollo
all stand for the instantaneous power of thought.
Public-domain text, read in full here on John Shaqi.
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841 — John Shaqi
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