Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841Fuller, Margaret
Philosophy
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841
Fuller, Margaret
Mythology, Classical, in art; Mythology, Greek
Delphi did not originally belong to Apollo. With the aid of Bacchus, he
wrested it from Terra, Neptune, and Themis; hence the name “Delphi,” or
“The brothers.” This is only another instance of his independence. All
things are made to his hand. The great contrast between Ceres and Apollo
lies in the success of each. Ceres is always full, always prepared to
meet the call of humanity. Apollo is always unsatisfied. He transmutes
whatever he touches, as he did one of his many loves, changed to a
bay-tree. His changes are always beautiful.
JAMES F. CLARKE asked how Margaret would explain the fraternal relation
between Bacchus and Apollo.
“Don’t you remember?” she retorted. “I don’t like to repeat it, it is so
smart and ingenious!” Apollo and Bacchus seemed to her the question and
the response. Bacchus was what the earth yielded to the touch of Genius.
The grape was genial. It typified the excess of the earth’s fruitfulness.
Bacchus avenges the wrongs of Apollo, who is said never to have seen a
shadow! He never perceives an obstacle, but instantly destroys an alien
nature. Whatever opposed Apollo met with terrible retribution,—if not
from himself, then from others. Genius cannot endure the presence of
anything that mocks at it.
CHARLES WHEELER said something about the flaying of Marsyas.
MARGARET said that this once seemed to her the most shocking of
cruelties, but she had lately seen a picture which reconciled her to the
deed! After looking at the self-complacent face of Marsyas, she did not
wonder that Apollo destroyed him. She longed to _see him do it_! Apollo
was never indignant at any sublime treachery. He forgave Mercury his
theft because it was god-like, because he did it so well.
MRS. RUSSELL said ironically that the destruction of the children of
Niobe must have been a gratifying sight.
MARGARET laughed, and said, “That is like being reminded of the ‘poor
mariner,’ when I say that I like to hear the wind blow.” The indignation
of Apollo seemed to her one of his noblest attributes. His perfect purity
separated him from all the Gods. Ceres seemed to be included in the idea
of many other Gods, as in Pan, Bacchus, Juno, and Isis; but Apollo, the
divine Genius, stands alone. There is none like him.
HENRY HEDGE asked whether holiness appertained to Apollo.
MARGARET thought not. Holiness supposed a voluntary consecration of one’s
self, but there was no need of this in Apollo. He was pure thought,
consecrated, but not consciously.
HENRY HEDGE said he had asked, because, considering Jesus to have, as
he certainly had, a mythological character, he thought there was a
resemblance between him and Apollo. His own words justified the idea,—“I
am the light of the world,” and so on.
MRS. RUSSELL asked suddenly why Apollo’s lyre had seven strings.
MARGARET said seven was a consecrated number.
MRS. RUSSELL asked if it did not have to do with the seven planets?
GEORGE RIPLEY said there were not so many in that day.
Public-domain text, read in full here on John Shaqi.
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