Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841 — John Shaqi
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841Fuller, Margaret
Philosophy
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841
Fuller, Margaret
Mythology, Classical, in art; Mythology, Greek
MARGARET opened our talk by saying that the subject of Wisdom presented
more conversable points than that of Genius. We could all think and talk
about Wisdom, and any man who had ever scratched his finger was to a
degree wise.
Minerva was the child of Counsel and Intelligent Will. She had no
infancy, but sprang full-armed into being. Ready, agile, she was in
herself the history of thought. She did not need that her life should be
one of incident. Her attendant emblems are expressive: the Sphinx, the
owl, the serpent, the cock, and the javelin suggest her whole story.
WILLIAM WHITE asked why Genius was masculine and Wisdom feminine.
MARGARET thought no one could find any difficulty in the fact that Genius
was masculine. It presented itself to the mind in the full glow of power.
The very outlines of the feminine form were yielding, and we could not
associate them with a prominent, self-conscious state of the faculties.
Wisdom was like woman, always ready for the fight if necessary, yet never
going to it; taking reality as a basis, and classifying and arranging
upon it all that Genius creates,—seeing the relations and proper values
of things.
GEORGE RIPLEY objected to this definition. He might have imbibed a Hebrew
idea, but the office of Wisdom was surely something more than this,—a
purely mechanical and orderly tact.
MARGARET said she had not meant to give _our_ view of it, only the Greek
idea as manifest in the story of Minerva. To William White she said,
smiling, that she supposed he had not wondered so much that Genius should
be masculine as that Wisdom should be feminine! But the Greeks were wise,
and she revered their keen perception.
ELISABETH HOAR said it seemed to her that Wisdom provided _means_. A hero
might be inspired by Genius, but Wisdom provided his armor, taught him to
distinguish the goal, and to perceive clearly the relation to it of any
onward step.
MARGARET agreed to this, and
WILLIAM STORY said that Genius was indebted to Wisdom for _means of
communication_. Genius thinks words impertinent, but Wisdom apprehends
its intuitions, and gives them shape.
MARGARET said further, that Wisdom must adopt instinctively the finest
medium.
It seemed to me that Wisdom not only gave power of communication, but
power of attainment. Walter Scott was a good instance of the union of
intuitive perception and human sagacity, but all these words about it
cleared up nothing.
MARGARET then proposed that we should take up the attributes of Minerva,
and so get at the facts.
MR. RIPLEY did not think it noble enough when she based Wisdom upon
realities.
WILLIAM STORY said Wisdom must have something to work upon. He thought
Wisdom compared the intuitions of Genius with realities.
CHARLES WHEELER thought the word _actual_ would help them out of their
difficulty.
I wanted to quote Emerson to the effect that the Ideal is more Real than
the Actual.
Public-domain text, read in full here on John Shaqi.
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