Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works — John Shaqi
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
The working out is similar to that of the chria; for it
proceeds by (1) brief encomium of him who made the saying, as
in the chria; (2) direct exposition; (3) proof; (4) contrast;
(5) enthymeme; (6) illustration; (7) example; (8) authority.
Let the proverb be, for example, “_a counsellor should not
sleep all night._” (1) You will briefly praise the speaker.
Then to (2) direct exposition, i.e., to paraphrase of the
proverb, as “it befits not a man proved in counsels to
sleep through the whole night”; (3) proof, “always through
pondering is one a leader, but sleep takes away counsel”;
(4) contrast, “as a private citizen differs from a king, so
sleep from wakefulness”; (5) “how, then, might it be taken?
if there is nothing startling in a private citizen’s sleeping
all night, plainly it befits a king to ponder wakefully”; (6)
illustration, “as helmsmen are incessantly wakeful for the
common safety, so should chieftains be”; (7) example, “Hector,
not sleeping at night, but pondering, sent Dolon to the ships
to reconnoiter.” (8) The last topic is the one from authority.
Let the conclusion be hortatory.
REFUTATION AND CONFIRMATION
Destructive analysis is the overturning of the thing cited;
constructive analysis, on the contrary, its confirmation.
Things fictitious, such as myths, are open to neither
destruction nor construction; destruction and construction
apply only to things that offer argument on either side.
Destructive analysis proceeds by alleging that the thing is (1)
obscure, (2) incredible, (3) impossible, (4) inconsistent or,
as it is called, contrary, (5) unfitting, (6) inexpedient: (1)
obscure, as “in the case of Narcissus the time is obscure”;
(2) incredible, as “it is incredible that Arion in the midst
of his ills was willing to sing”; (3) impossible, “it is
impossible that Arion was saved on a dolphin”; (4) inconsistent
or contrary, “quite opposite to preserving popular government
is wishing to destroy it”; (5) unfitting, “it was unfitting for
Apollo, being a god, to love a mortal woman”; (6) inexpedient,
when we say that it is of no use to hear this.
Confirmation proceeds by the opposites of these.
COMMONPLACE
Public-domain text, read in full here on John Shaqi.
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