“Close to this fearful scene, came on a pageant, whose splendour made a
brilliant and terrible contrast to the loathsome and withering
desolation of animal and intellectual life, amid which its pomp came
towering, and sparkling, and trembling on. An enormous fabric, more
resembling a moving palace than a triumphal car, supported the inshrined
image of Juggernaut, and was dragged forward by the united strength of a
thousand human bodies, priests, victims, brahmins, faqueers and all. In
spite of this huge force, the impulse was so unequal, that the whole
edifice rocked and tottered from time to time, and this singular union
of instability and splendour, of trembling decadence and terrific glory,
gave a faithful image of the meretricious exterior, and internal
hollowness, of idolatrous religion. As the procession moved on,
sparkling amid desolation, and triumphant amid death, multitudes rushed
forward from time to time, to prostrate themselves under the wheels of
the enormous machine, which crushed them to atoms in a moment, and
passed on;--others “cut themselves with knives and lancets after their
manner,” and not believing themselves worthy to perish beneath the
wheels of the idol’s chariot, sought to propitiate him by dying the
tracks of those wheels with their blood;--their relatives and friends
shouted with delight as they saw the streams of blood dye the car and
its line of progress, and hoped for an interest in these voluntary
sacrifices, with as much energy, and perhaps as much reason, as the
Catholic votarist does in the penance of St Bruno, or the ex-oculation
of St Lucia, or the martyrdom of St Ursula and her eleven thousand
virgins, which, being interpreted, means the martyrdom of a single
female named _Undecimilla_, which the Catholic legends read _Undecim
Mille_.
“The procession went on, amid that mixture of rites that characterizes
idolatry in all countries,--half resplendent, half horrible--appealing
to nature while they rebel against her--mingling flowers with blood, and
casting alternately a screaming infant, or a garland of roses, beneath
the car of the idol.
Public-domain text, read in full here on John Shaqi.
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