Memoir on the Dodo (Didus ineptus, Linn.)Owen, Richard
History
Memoir on the Dodo (Didus ineptus, Linn.)
Owen, Richard
Dodo
“It does not follow that because the Dodo is represented as looking
at the _frutti di mari_, he is about to devour them. But if it
be granted he is, the admission would not militate against the
opinion of those who would place the Dodo between the Struthious
and Gallinaceous birds. It is well known that the turkeys in
America come down to the shore and feed upon the ‘fiddler’ crabs;
and there would be nothing extraordinary in a quisquilious feeder,
such as the Dodo probably was, varying its fruit and vegetable
diet occasionally by resorting to such animal substances as it
might find on the strand. Common poultry eagerly pick up insects
and slugs in the fields, and, in the neighbourhood of tidal rivers
and estuaries, may be seen availing themselves of the smaller
_mollusca_ and _crustacea_ left by the retreating tide.
“In my article ‘Struthionidæ[10]’ under the section ‘Didus,’ is
inserted the following extract from a letter written to me by
Professor Owen:—
“‘Whilst at the Hague in the summer of 1848, I was much struck
with the minuteness and accuracy with which the exotic species of
animals had been painted by Savery and Breughel, in such subjects
as _Paradise_, _Orpheus charming the beasts_, &c., in which scope
was allowed for grouping together a great variety of animals.
Understanding that the celebrated menagerie of Prince Maurice had
afforded the living models to those artists, I sat down one day
before Savery’s _Orpheus and the beasts_, to make a list of the
species, which the picture evinced that the artist had had the
opportunity to study alive. Judge of my surprise and pleasure in
detecting in a dark corner of the picture (which is badly hung
between two windows), the Dodo beautifully finished, showing for
example, though but three inches long, the auricular circle of
feathers, the scutation of the tarsi, and the loose structure of
the caudal plumes. In the number and proportions of the toes and in
general form, it accords with Edwards’s oil-painting in the British
Museum; and I conclude that the miniature must have been copied
from the study of a living bird, which, it is most probable, formed
part of the Mauritian menagerie.’
Public-domain text, read in full here on John Shaqi.
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