“‘In the Ashmolean Catalogue, made by Ed. Llhwyd, Musæi Procustos, 1684 (Plott being the keeper), the entry of the bird is, “No. 29. _Gallus gallinaceus peregrinus_, Clusii,” &c. In a Catalogue made subsequently to 1755, it is stated “That the numbers from 5 to 46, being decayed, were ordered to be removed at a meeting of the majority of the visitors, Jan. 8, 1755.” Among these of course was included the Dodo, its number being 29. This is further shown by a new Catalogue, completed in 1756, in which the order of the visitors is recorded as follows: “Illa quibus nullus in margine assignatur numerus a Musæo subducta sunt cimelia, annuentibus Vice-Cancellario aliisque Curatoribus ad ea lustranda convocatis, die Januarii 8vo, +a.d.+ 1755.” The Dodo is one of those which are here without the number.’ (Duncan, “On the Dodo,” Zool. Journ. vol. iii. p. 559.) “We now come to the celebrated painting in the British Museum, a copy of which, by the kind assistance of the officers of the zoological department, who have given us every assistance in prosecuting this inquiry, and who had it taken down for the purpose, we present to our readers[5]. “It has been stated that the painting came into the possession of Sir Hans Sloane, president of the Royal Society, and that it was bought at his sale by Edwards, who, after publishing a plate from it in his Gleanings, presented it to the Royal Society, whence it passed, as well as the foot, into the British Museum. But Mr. Gray informs us that the foot only came with the museum of the Royal Society described by Grew; and that the picture was an especial gift from Edwards. Edwards’s copy seems to have been made in 1760, and he himself says—‘The original picture was drawn in Holland from the living bird brought from St. Maurice’s Island, in the East Indies, in the early times of the discovery of the Indies by the way of the Cape of Good Hope. It was the property of the late Sir Hans Sloane to the time of his death; and afterwards becoming my property I deposited it in the British Museum as a great curiosity. The above history of the picture I had from Sir Hans Sloane and the late Dr. Mortimer, secretary to the Royal Society.’