Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist — John Shaqi
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
It comforted me somewhat to see that there was some sky in this ugly
place, but my little soul was very sad. I could not eat, and I grew pale
and became anæmic, and I should certainly have died of consumption if it
had not been for a mere chance, a most unexpected incident. One day I
was playing in the courtyard with a little girl named Titine, who lived
on the second floor and whose face or real name I cannot recall, when I
saw my nurse’s husband walking across the courtyard with two ladies, one
of whom was most fashionably attired. I could only see their backs, but
the voice of the fashionably attired lady caused my heart to stop
beating. My poor little body trembled with nervous excitement.
“Do any of the windows look on to the courtyard?” she asked.
“Yes, madame, those four,” he replied, pointing to four open ones on the
first floor.
The lady turned to look at them, and I uttered a cry of joy.
“Aunt Rosine! Aunt Rosine!” I exclaimed, clinging to the skirts of the
pretty visitor. I buried my face in her furs, stamping, sobbing,
laughing, and tearing her wide, lace sleeves in my frenzy of delight.
She took me in her arms and tried to calm me, and questioning the
_concierge_ she stammered out to her friend:
“I can’t understand what it all means! This is little Sarah! My sister
Youle’s child!”
The noise I made had attracted attention, and people opened their
windows. My aunt decided to take refuge in the _concierge’s_ lodge, in
order to come to an explanation. My poor nurse told her about all that
had taken place, her husband’s death, and her second marriage. I do not
remember what she said to excuse herself. I clung to my aunt, who was
deliciously perfumed, and I would not let her go. She promised to come
the following day to fetch me, but I did not want to stay any longer in
that dark place. I asked to start at once with my nurse. My aunt stroked
my hair gently, and spoke to her friend in a language I did not
understand. She tried, in vain, to explain something to me, I do not
know what it was, but I insisted that I wanted to go away with her at
once. In a gentle, tender, caressing voice, but without any real
affection, she said all kinds of pretty things, stroked me with her
gloved hands, patted my frock, which was turned up, and made any amount
of charming, frivolous little gestures, but all without any real
feeling. She then went away, at her friend’s entreaty, after emptying
her purse in my nurse’s hands. I rushed toward the door, but the husband
of my nurse, who had opened it for her, now closed it again. My nurse
was crying, and, taking me in her arms, she opened the window, saying to
me: “Don’t cry, Milk Blossom, look at your pretty aunt; she will come
back again, and then you can go away with her.” Great tears rolled down
her calm, round, handsome face. I could see nothing but the dark, black
hole which remained there immutable behind me, and in a fit of despair,
I rushed out to my aunt who was just getting into a carriage.
Public-domain text, read in full here on John Shaqi.
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