Some lesser points of the dialogue may be noted, such as (1) the acute observation that Meno prefers the familiar definition, which is embellished with poetical language, to the better and truer one; or (2) the shrewd reflection, which may admit of an application to modern as well as to ancient teachers, that the Sophists having made large fortunes; this must surely be a criterion of their powers of teaching, for that no man could get a living by shoemaking who was not a good shoemaker; or (3) the remark conveyed, almost in a word, that the verbal sceptic is saved the labour of thought and enquiry (ouden dei to toiouto zeteseos). Characteristic also of the temper of the Socratic enquiry is, (4) the proposal to discuss the teachableness of virtue under an hypothesis, after the manner of the mathematicians; and (5) the repetition of the favourite doctrine which occurs so frequently in the earlier and more Socratic Dialogues, and gives a colour to all of them--that mankind only desire evil through ignorance; (6) the experiment of eliciting from the slave-boy the mathematical truth which is latent in him, and (7) the remark that he is all the better for knowing his ignorance. The character of Meno, like that of Critias, has no relation to the actual circumstances of his life. Plato is silent about his treachery to the ten thousand Greeks, which Xenophon has recorded, as he is also silent about the crimes of Critias. He is a Thessalian Alcibiades, rich and luxurious--a spoilt child of fortune, and is described as the hereditary friend of the great king. Like Alcibiades he is inspired with an ardent desire of knowledge, and is equally willing to learn of Socrates and of the Sophists. He may be regarded as standing in the same relation to Gorgias as Hippocrates in the Protagoras to the other great Sophist. He is the sophisticated youth on whom Socrates tries his cross-examining powers, just as in the Charmides, the Lysis, and the Euthydemus, ingenuous boyhood is made the subject of a similar experiment. He is treated by Socrates in a half-playful manner suited to his character; at the same time he appears not quite to understand the process to which he is being subjected. For he is exhibited as ignorant of the very elements of dialectics, in which the Sophists have failed to instruct their disciple. His definition of virtue as 'the power and desire of attaining things honourable,' like the first definition of justice in the Republic, is taken from a poet. His answers have a sophistical ring, and at the same time show the sophistical incapacity to grasp a general notion.