Modern Swedish Masterpieces: Short Stories — John Shaqi
Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
General
Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
The pause, however, was not long. A few swallows from the glasses, a few
puffs at the cigars, and the exchange of opinions was once more in full
swing. A peculiar circumstance struck me, though: all the stories that
were told I had already heard innumerable times, and for my part I found
them comparatively flat. Smutty stories may, as is well known, be
divided into two chief groups, one of which concentrates itself mostly
about digestive processes and circumstances related to them, whereas, on
the contrary, the other, which stands incomparably higher in degree, has
preferably to do with woman. I and my schoolmates had long since left
the former group behind us; I was therefore the more surprised to hear
these mature gentlemen give it their liveliest interest, while the
other, much more appealing group was passed over in silence. I did not
understand it. Could this possibly be out of any undue consideration for
me? I need not say to what extent the suspicion of such a thing provoked
me. The lively tone of the cabin had affected me and made me
venturesome, so that I resolved to put an end to this childishness.
“Look here, uncle,” I burst out quite impulsively during a silence after
a story which was so harmless that even the clergyman guffawed at it,
“don’t you remember the story the captain told day before yesterday?”
“Uncle” was the company director, who was a friend of my father.
I continued undismayed: “That was the choicest I’ve heard in all my
days. Couldn’t you please tell it?”
Four pairs of astonished eyes were directed upon me, and a painful
silence set in. I already regretted my rash courage.
The company director broke the ice with a skittish little chuckle,
which was but a faint echo of the thunder he had allowed to roll out a
couple of days before when the captain had told the story.
“Tee-hee!--yes, that wasn’t so bad----”
He then began to tell it. It was very highly seasoned and had to do with
woman.
The leading actor at first hid his feelings behind his customary mask of
dignified seriousness, whereas on the other hand the button dealer, an
old buck who had grown gray in sin, regarded me with a sort of furtive
interest, in which was an element of increased respect for my
personality.
But when the anecdote began to take a somewhat precarious turn, it was
suddenly interrupted by the clergyman, a kindly old man with a pious and
childlike expression on his elderly smooth-shaven countenance.
“Pardon the interruption, my good brother, but”--and he turned a little
in his chair so that he could direct his words at me--“how old, may I
ask, is this young man? Has he been to Our Lord’s--to Communion?”
I felt that I flushed blood-red. I had forgotten that there was a
clergyman in the company.
“Y-yes,” I stammered almost inaudibly. “I was confirmed last winter.”
“Indeed!” returned the old clergyman, while he slowly stirred his glass
of toddy.
Public-domain text, read in full here on John Shaqi.
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