Modern Swedish Masterpieces: Short Stories — John Shaqi
Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
General
Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
Then without looking up, in a voice which forty years of mediation
between God and the world had impressed with the mild tone of tolerance
and indulgence, he continued:
“Go on, my dear brother! Excuse the interruption!”
THE CLOWN
Yesterday a familiar face flitted by me on the street. It was pale and
had a tired expression, but the features were sharp and strongly marked.
I did not recall his name. I was sure I had seen him sometime, perhaps a
long while ago, but I could not remember when or under what
circumstances. His face had aroused my interest without my being able to
explain why, and I dug all sorts of old recollections out of the
junk-room of my memory in order to identify him, but in vain.
In the evening I was at the theatre. There to my surprise I found him
again on the stage in a minor rôle. He was but little disguised; I
recognized him at once and looked for his name on the program. I found
it, but it was unknown to me. I followed his acting with tense interest.
He took the part of a miserably stupid and ridiculous servant, whom
everybody made fun of. The rôle was as wretched as the piece, and he
played it mechanically and conventionally; but in certain intonations
his voice assumed a sharp and bitter character which did not belong to
the part.
They re-echoed in my ear, those tones, till late into the night, as I
went back and forth in my room. And with their help I at last succeeded
in digging up the recollection with which they belonged. I discovered
that we had been schoolmates, but he was many years younger than I; when
I was in the highest class, he was in one of the lowest.
* * * * *
When I was in the top class of the school, I was one day standing at the
window toward the end of a lunch recess. Recesses at the school were an
especial abomination of mine; I could never find anything to do. I knew
that I did not know my lesson, and I could not set myself to going over
it. The slight vexation I felt about the coming lesson always faded
before a greater: a vexation about life, a gnawing premonition that the
days to follow would be as empty and meaningless as those which had
passed.
So I was walking back and forth with my hands in my jacket pockets, now
and then stopping at the window, which was open. As I stood there, my
attention was caught by a peculiar occurrence which was taking place
down in the yard just below the window. A little boy in one of the
lowest classes, a lad of ten or eleven, lay stretched on his back,
surrounded by a crowd of other boys in a ring. Their faces, most of them
at any rate, had the expression of evil curiosity which children and
uncultured people do not know how to conceal. A little broad-shouldered
fellow with high cheekbones, who gave the impression of being very
strong for his age, stood in the ring with a whip in his hand.
“You are my slave,” he said to the boy on the ground, “aren’t you? Say:
‘I am your slave!’”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account