Modern Swedish Masterpieces: Short Stories — John Shaqi
Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
General
Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
“I am your slave,” answered the child without hesitating; which
indicated that this was not the first time he had said it.
“Get up,” ordered the other.
The boy got up.
“Imitate B., the way he looks when he comes into class!”
B. was a teacher who went on crutches. The boy went a couple of steps
outside the ring, which opened to give him space; then he came back on
the improvised stage and executed as he did so the movements of a man
walking on crutches. He did his part very well; the illusion was
complete, and the onlookers applauded, but the little actor stood there
with a serious expression. He had a pallid little face and black
clothes; perhaps he had just lost his father or mother.
“Laugh!” ordered the other with a light flick of the whip which he had
in his hand.
The boy tried to obey, but it did not come easily. The laugh sounded
forced at the start, but it was not long before he succeeded in
laughing himself into a genuine, quite natural guffaw, and with that he
turned toward his “master,” as if it was at him that he laughed. But the
latter already desired to have his slave show off new accomplishments.
“Say: ‘My farsher is a damned scoundrel!’”
The boy looked around the circle with a helpless glance. When he saw
that no one gave a semblance of wanting to help him, and that, on the
contrary, all stood in eager expectation of something really amusing, he
said as low as he dared:
“My farsher is a damned scoundrel.”
That drew unbounded applause.
“Laugh--Cry!”
The child began to simulate weeping, but with that he now came into the
mood he was ordered to imagine. The weeping stuck in his throat, and he
shed actual tears.
“Let him be!” said an older boy in the circle, “he’s crying in earnest.”
And with that the school bell rang.
* * * * *
Some days afterwards he ran past me on the way from school. I noticed
that his jacket was ripped open in the back.
“Wait a bit!” I said to him, “your jacket has split open in the back.”
“No,” he said, “it hasn’t split open, they have cut it open with a
penknife.”
“Have they dirtied your book for you, too?” I asked.
“Yes, they’ve laid it in the gutter.”
“Why are they so mean to you?”
“I don’t know. They are stronger than I am.”
He knew of no other reason. But of course that was not the only one;
they must have found something in him that irritated them. I saw it in
him that he was not like the others. The exceptional, the divergent
always irritates children and mobs. A school-boy’s eccentricities are
punished by the teacher with a well-intended monition or a dry satiric
smile; but by his comrades they are punished with kicks and cuffs and a
bloody nose, with a torn jacket, a cap carefully laid under a
rain-spout, and his best book thrown into the gutter.
Public-domain text, read in full here on John Shaqi.
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