Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
Well, he is an actor now; that was surely his natural predestination. He
now talks from the stage to a large public. It would be strange if
sometime he did not make his way; I believe he has talent. Perhaps he
will gradually transform his peculiarity to a pattern, according to
which others try to conform as to an inoffensive regular verb.
SIGNY
Signy was a little girl about as old as I, with a pink dress and a pink
ribbon in her hair. Her hair was dark, with curly locks, and she had
dark blue starry eyes with long lashes. She was not at all angelic. I
didn’t care a great deal for angels, perhaps in especial because they
always had fair hair. I had fair hair myself at that time, like most
children, and light hair wasn’t much, I thought.
But I thought an awful lot of Signy. I could go about thinking of her
for whole days. It was not seldom that she did something naughty, which
I was blamed for, and sometimes I myself took the blame voluntarily. I
cared no less for her on that account, but only wished that she would do
more naughty things and I get the blame for them. But what was that bit
of deviltry she hit upon? Let me think.--She ran off and hid somewhere
where we were forbidden to go, in some dangerous place where there might
be trolls and spooks. One time I remember clearly that she wheedled me
into playing with matches--playing with fire, the most dangerous and
most strictly forbidden thing there was. Didn’t she set fire to an old
dry bush in the garden? Why, to be sure she did; and I got the switch
from mother. Oh, how I cared for Signy. And sometimes she said words
that shouldn’t be said. The shivers went up and down my back, but I only
wanted her to say them again.
I don’t know just where she lived. It wasn’t in the same house as we
did; the other children whom I played with didn’t know her. But she must
have lived in the same street--I suppose--in a little home with a garden
surrounded by a fence. Or did she live in a garret cupola obliquely
across the street, with flowers on the window-sill?--I may just as well
say right out that she didn’t live anywhere. She existed only in my
imagination.
Signy was the first creation of my fancy, at least the first I can
recall. I was a good six or seven years old, and at the age (just as,
besides, at sixty, seventy or more) one often thinks aloud. To be brief,
I went about prattling to myself as I imagined things about Signy, and
one fine day it happened, of course, that my mother heard me.
“Listen to the boy,” she said to my father. “Listen how he goes around
talking to himself!”
And to me she said, “What is it you go around talking about? What are
you thinking about?”
Grown-ups have a terrible passion for asking children the most
inconsiderate questions. I ran off and hid.
Another day it was the same story, and still another day. Pain and
embarrassment, questions that couldn’t be answered.
Public-domain text, read in full here on John Shaqi.
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