Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
The invalid made no reproaches to his stepmother. Every time she went
through the room he turned his face to the wall; he did not wish to see
or speak to her after her performance with Magda. But one day he
confided to his father in private that he could not live unless Magda
might be his bride. The old chimney-sweeper was surprised and vexed, but
dared not immediately set up any serious opposition: his son was the one
person he cared for and who showed him any tenderness in return, and he
could not endure the thought of losing him.
He put the matter aside for future action and gave his wife a share in
his anxiety.
* * * * *
How can I describe what occurred next? It sounds like an evil dream or
a story made to frighten children when they are naughty, and yet it is
true.
It is supposed to have been on a Sunday evening in May that it happened.
The courtyard is still, the street is still. Maybe someone hums a song
through a kitchen window, or some children play down in the alley....
The invalid is alone in his room. He is counting the quarter-hours and
the minutes. It is spring outside now. Soon it will be summer. Shall he
never get up from his bed, never again hear the woods murmur and rustle,
never as before be able to measure the day in periods of activity and
periods of rest? And Magda.... If only he did not always see before him
her face with the wild alarm in her look that came there when his
stepmother seized her by the wrist! She had not needed to be afraid. The
wicked woman would not have dared to do her any serious harm, for she
knew that he had chosen her for his bride.
So he lies there dreaming, now awake, now half-awake, while he lets his
pupils suck in the light of the sunbeam on the white door. When he shuts
his eyes, there swims out an archipelago of poisonously green islands
surrounded by an inky black sea. And as he dozes, the green passes over
into blue, the black brightens to bluish red with ragged dark edges,
and at last everything grows black together....
He feels a light hand stroking his forehead, and he starts up in bed.
It is Magda. Magda stands before him, small and slender, with a smiling
red mouth, and lays a bunch of spring flowers in front of him on the
cover. Anemones and almond blossoms and violets.
Is it true, is it really she?
“How did you dare?” he whispers.
“Your stepmother is away,” she answers. “I saw her go just now, dressed
to go out. I heard she was to go to South Stockholm, and it will surely
be long before she comes home. So then I slipped up the stairs and in to
you.”
She stays a long while with him, telling of the woods where she has
walked alone and listened to the birds and picked spring flowers for him
whom she loves. And they kiss each other as often as possible and caress
like two children, and both are happy, while the hours run and the
sunbeam on the floor becomes burning gold and then red, then pales and
fades away.
Public-domain text, read in full here on John Shaqi.
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