Momus Triumphans: or, the Plagiaries of the English Stage (1688[1687])Langbaine, Gerard
General
Momus Triumphans: or, the Plagiaries of the English Stage (1688[1687])
Langbaine, Gerard
English drama -- Bibliography
If we =now= on the =other side= examine the proceedings of our late
=English= Writers, we shall find them diametrically opposite in all
things. =Shakspear= and =Johnson= indeed imitated these Illustrious Men
I have cited; the =one= having borrow'd the Comedy of Errours from the
=Menechmi= of =Plautus=; the =other= has made use not only of him, but
of =Horace=, =Ovid=, =Juvenal=, =Salust=, and several others, according
to his occasions: for which he is commended by Mr. =Dryden=,[50]
=as having thereby beautified our Language=: and Mr. =Rymer=, whose
Judgment of him is this; =I cannot= (says he) =be displeas'd with
honest= Ben,[51] =when he chuses rather to borrow a Melon of his
Neighbour, than to treat us with a Pumpion of his own growth=. But for
the most part we are treated far otherwise; not with sound =Roman=
Wit, as in =Ben='s time, but with empty =French= Kickshaws, which yet
our Poetical Hosts serve up to us for Regales of their own Cookery;
and yet they themselves undervalue that very Nation to whom they are
oblig'd for the best share of their Treat. Thus our =Laureat= himself
runs down the =French= Wit in his =Marriage a la Mode=, and steals
from =Molliere= in his =Mock Astrologer=; and which makes it more
observable, at the same time he does so, pretends in his =Epistle=
to justifie himself from the imputation of Theft: =Not unlike the
Cunning of a Jugler= (to apply his own Simile to him) [Epistle to
the =Spanish= Fryer] =who is always staring us in the Face, and
overwhelming us with Gibberish, only that he may gain the opportunity
of making the cleanlier conveyance of his Trick.=[52] I will wave the
Epistle to this Play, which seems to be the Picture of Bays in little,
yet I cannot omit one Observation more, which is, that our =Laureat=
should borrow from =Old Flecknoe=, whom he so much despises: and yet
whoever pleases to read =Flecknoe's Damoyselles a la Mode=, will find
that they have furnisht Mr. =Dryden= with those =refin'd= Expressions
which his =Retrenching= Lady =Donna Aurelea= makes use of, as =the
Counsellor of the Graces=, and that =furious indigence of Ribons=. But
possibly he will own that he borrow'd them as =Father Flecknoe= did,
from =Mollieres Les Precieuses Ridicules=: however, I hope he will
allow that these Expressions better suit, with the =Spiritual= Temper
of those =French= Damsels, than with the known Gravity of the =Spanish=
Ladies. I hope Mr. =Dryden= will pardon me this Discovery, it being
absolutely necessary to my design of Restoring what I could to the true
Authors: and this Maxim I learnt from his own Father =Aldo=, Every one
must have their Own.[53] =Fiat Justitia, aut ruat Mundus.= In pursuance
to which, I own that Mr. =Dryden= has many Excellencies which far
out-weigh his Faults; he is an excellent =Critick=, and a good =Poet=,
his Stile is smooth and fluent, and he has written well, both in Verse
and Prose. I own that I admire him, as much as any man;
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account