Mr. Pim Passes By: A Comedy in Three ActsMilne, A. A. (Alan Alexander)
General
Mr. Pim Passes By: A Comedy in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
GEORGE. Well--er--confound it, Olivia, I love you. Will you marry me?
OLIVIA. Thank you, George, I will think it over.
GEORGE (_laughing_). Silly girl. (_Pats her on the shoulder and crosses
to_ R.) Well, then, to-morrow morning. No wedding cake, I'm afraid,
Olivia. (_He laughs again and moves up centre_.) But we'll go and have a
good lunch somewhere.
OLIVIA. I will think it over, George.
GEORGE (_good-humouredly and coming down to back of settee to her_ R.).
Well, give me a kiss while you're thinking.
OLIVIA. I'm afraid you mustn't kiss me until we are actually engaged.
GEORGE (_laughing uneasily, and sitting and leaning over on table_ L.C.
_towards_ OLIVIA). Oh, we needn't take it as seriously as all that.
OLIVIA. But a woman must take a proposal seriously.
GEORGE (_a little alarmed at last_). What do you mean?
OLIVIA. Well, what I mean is that the whole question--(_with a sly look
at_ GEORGE)--as I heard somebody say once, demands much more anxious
thought than either of us has given it. These hasty marriages----
GEORGE (_rising and crossing at back of_ OLIVIA _round settee and to_ L.
_of_ OLIVIA). Hasty!
OLIVIA. Well, you've only just proposed to me, and you want me to marry
you to-morrow.
GEORGE. Now you're talking perfect nonsense, Olivia. You know quite well
that our case is utterly different from--well--from any other.
OLIVIA. All the same, one must ask oneself questions. With a young girl
like--well, with a young girl--love may well seem to be all that matters.
But with a woman of my age it is different. I have to ask myself whether
you can afford to support a wife.
GEORGE. You know perfectly well that I can afford to support a wife as my
wife should be supported.
OLIVIA. Oh, I am glad. Then your income--you are not really worried about
that at all?
GEORGE (_stiffly_). You know perfectly well what my income is. I see no
reason for anxiety, in the future.
OLIVIA. Ah, very well, then we needn't think about it any more.
GEORGE. You know I can't make out what you're up to. (_Sits to her_ L.
_on settee_.) Don't you want to get married--to--er--legalize this
extraordinary situation in which we are placed?
OLIVIA. I must consider the whole question very carefully. I can't just
jump at the very first offer I have had since my husband died. (_Rising
and crossing to centre_.)
GEORGE. Oh, so I'm under consideration, eh?
OLIVIA (_moving up_ R.C.). Every suitor is.
GEORGE. Oh, very well, go on! Go on!
OLIVIA. Well then, there's your niece. You have a niece living with you.
Of course Dinah is a delightful girl, but one doesn't like marrying into
a household where there's another grown-up woman. But perhaps she will be
getting married herself soon.
GEORGE. I see no prospect of it.
OLIVIA. It would make it so much easier, George, if she did.
GEORGE (_rising_). Is this a threat, Olivia? (_Crossing up to_ OLIVIA.)
Are you telling me that if I do not allow young Strange to marry Dinah,
you will not marry me?
Public-domain text, read in full here on John Shaqi.
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