Mr. Punch at the Play: Humours of Music and the Drama
General
Mr. Punch at the Play: Humours of Music and the Drama
English wit and humor; English wit and humor, Pictorial; Theater -- Great Britain -- Humor
[Illustration: "CROSS OLD THING!"--_Wife._ "I'm going into town now,
dear. Shall I book places for _Caste_ or _Much ado about Nothing_?"
_Husband._ "Oh, please yourself, my dear; but I should say we've enough
'Ado about Nothing' at home!"]
* * * * *
[Illustration: OUR THEATRICALS.--_Brown (rehearsing his part as the
"Vicomte de Cherisac")._ "Yas, Marie! I've fondly loved ye. (_Sobs
dramatically._) 'Tis well--but no mat-tar-r!" _Housemaid (to cook,
outside the door)._ "Lauks, 'Liz'beth, ain't master a givin' it to
missis!"]
* * * * *
[Illustration: TECHNICAL.--_First Player_ ("_Juvenile Lead_"). Play
Scene--Hamlet. (_Deferentially_). "What do you think of it?" _Second
Player_ ("_First Heavy_"). "How precious well them 'supers' are painted,
ain't they?"]
* * * * *
[Illustration: A DOUBLE DISAPPOINTMENT.--_Stern Hostess (who is giving
private theatricals)._ "You are very late, Mr. Fitz Smythe. They've
begun long ago!" _Languid Person of Importance (who abominates that
particular form of entertainment)._ "What! You don't mean to say they're
at it still!"]
* * * * *
[Illustration: MODEST APPEAL.--_Lady (to big drum)._ "Pray, my good man,
don't make that horrid noise! I can't hear myself speak!"]
* * * * *
A MODERN REHEARSAL
_Leading Lady (to Stage Manager)._ Who's that man in the ulster coat
talking to the call-boy?
_Stage Manager._ Don't know, I'm sure. Perhaps a gas-fitter. Now, as I
was saying, Miss Frisette, I think that all your alterations in the
dialogue are quite up to date, but we must give Splitter a chance for
his cackle. Ah! here he is.
_Splitter._ Well, old boy, I've worked in that scene to rights, but the
boss thinks that some allusions to Turkey served up with German sausage
would fetch 'em. So you might chuck it in for me.
_Stage Man._ Of course I will. Capital idea. (_Marks prompt-book._) I
wonder who that chap is in the wing?
_Splitter._ Haven't the faintest idea. Looks like an undertaker. Hallo,
Wobbler, brought your new song?
_Wobbler._ Yes, it ought to go. And I've a gross or so of capital
wheezes.
_Splitter._ No poaching, old chap.
_Wobbler._ Of course not. I'll not let them off when you're on. Morning,
Miss Skid. Perfect, I suppose?
_Miss Skid (brightly)._ I'm always "perfect." But--(_seriously_)--I had
to cut all the idiotic stuff in my part, and get Peter Quip of "The
Kangaroo" to put in something up to date. Here's the boss!
[_Enter Mr. Footlyte, the manager, amid a chorus of salutations._
_Stage Man._ Places, ladies and gentlemen.
_Mr. Footlyte._ Before we begin the rehearsal, I would point out that I
have completely rewritten the second act, and----
_The Stranger in the Ulster._ But, sir, I beg of you to remember----
_Mr. F._ Who is that man?
_Everybody._ We don't know!
Public-domain text, read in full here on John Shaqi.
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