Mr Punch's Pocket Ibsen - A Collection of Some of the Master's Best Known Dramas — John Shaqi
Mr Punch's Pocket Ibsen - A Collection of Some of the Master's Best Known DramasAnstey, F.
General
Mr Punch's Pocket Ibsen - A Collection of Some of the Master's Best Known Dramas
Anstey, F.
Ibsen, Henrik, 1828-1906 -- Parodies, imitations, etc.
Indeed, I shall--occasionally--as strangers.
[_She puts on a shawl sadly, and fetches her dressing-bag._] If I ever
do come back, the greatest miracle of all will have to happen. Good-bye!
[_She goes out through the hall; the front door is heard to bang
loudly._
HELMER.
[_Sinking on a chair._] The room empty? Then she must be gone! Yes, my
little lark has flown! [_The dull sound of an unskilled latchkey is
heard trying the lock; presently the door opens, and_ NORA, _with a
somewhat foolish expression, reappears._] What? back already! Then you
_are_ educated?
NORA.
[_Puts down dressing-bag._] No, Torvald, not yet. Only, you see, I found
I had only threepence-halfpenny in my purse, and the Norwegian theatres
are all closed at this hour--and so I thought I wouldn't leave the cage
till to-morrow--after breakfast.
HELMER.
[_As if to himself._] The greatest miracle of all has happened. My
little bird is not in the bush _just_ yet!
[NORA _takes down a showily-bound dictionary from the shelf and
begins her education;_ HELMER _fetches a bag of macaroons, sits
near her, and tenders one humbly. A pause._ NORA _repulses it,
proudly. He offers it again. She snatches at it suddenly, still
without looking at him, and nibbles it thoughtfully as Curtain
falls._
* * * * *
HEDDA GABLER
ACT FIRST
SCENE--_A sitting-room cheerfully decorated in dark colours. Broad
doorway, hung with black crape, in the wall at back, leading to a
back drawing-room, in which, above a sofa in black horsehair, hangs
a posthumous portrait of the late_ GENERAL GABLER. _On the piano is
a handsome pall. Through the glass panes of the back drawing-room
window are seen a dead wall and a cemetery. Settees, sofas, chairs,
&c., handsomely upholstered in black bombazine, and studded with
small round nails. Bouquets of immortelles and dead grasses are
lying everywhere about._
_Enter_ AUNT JULIE (_a good-natured-looking lady in a smart hat._)
AUNT JULIE.
Well, I declare, if I believe George or Hedda are up yet! [_Enter_
GEORGE TESMAN, _humming, stout, careless, spectacled._] Ah, my dear boy,
I have called before breakfast to inquire how you and Hedda are after
returning late last night from your long honeymoon. Oh, dear me, yes; am
I not your old aunt, and are not these attentions usual in Norway?
GEORGE.
Good Lord, yes! My six months' honeymoon has been quite a little
travelling scholarship, eh? I have been examining archives. Think of
_that_! Look here, I'm going to write a book all about the domestic
interests of the Cave-dwellers during the Deluge. I'm a clever young
Norwegian man of letters, eh?
AUNT JULIE.
Fancy your knowing about that too! Now, dear me, thank Heaven!
GEORGE.
Let me, as a dutiful Norwegian nephew, untie that smart, showy hat of
yours. [_Unties it, and pats her under the chin._] Well, to be sure, you
have got yourself really up--fancy that!
Public-domain text, read in full here on John Shaqi.
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