Psychological fiction; Railroad stations -- England -- London -- Fiction
“What a vision of horror that was, in the great dark empty room, in a
silence that was something more than negative, that ghastly figure frozen
into stone by some unexplained terror! And the silence and the
stillness! The very thunder had ceased now. My heart stood still with
fear. Then, moved by some instinctive feeling, under whose influence I
acted mechanically, I crept with slow steps nearer and nearer to the
table, and at last, half expecting to see some spectre even more horrible
than this which I saw already, I looked over his shoulder into the
looking-glass. I happened to touch his arm, though only in the lightest
manner. In that one moment the spell which had held him—who knows how
long?—enchained, seemed broken, and he lived in this world again. He
turned round upon me, as suddenly as a tiger makes its spring, and seized
me by the arm.
“I have told you that even before I entered my friend’s room I had felt,
all that night, depressed and nervous. The necessity for action at this
time was, however, so obvious, and this man’s agony made all that I had
felt, appear so trifling, that much of my own discomfort seemed to leave
me. I felt that I _must_ be strong.
“The face before me almost unmanned me. The eyes which looked into mine
were so scared with terror, the lips—if I may say so—looked so
speechless. The wretched man gazed long into my face, and then, still
holding me by the arm, slowly, very slowly, turned his head. I had
gently tried to move him away from the looking-glass, but he would not
stir, and now he was looking into it as fixedly as ever. I could bear
this no longer, and, using such force as was necessary, I drew him
gradually away, and got him to one of the chairs at the foot of the bed.
‘Come!’ I said—after the long silence my voice, even to myself, sounded
strange and hollow—‘come! You are over-tired, and you feel the weather.
Don’t you think you ought to be in bed? Suppose you lie down. Let me
try my medical skill in mixing you a composing draught.’
“He held my hand, and looked eagerly into my eyes. ‘I am better now,’ he
said, speaking at last very faintly. Still he looked at me in that
wistful way. It seemed as if there were something that he wanted to do
or say, but had not sufficient resolution. At length he got up from the
chair to which I had led him, and beckoning me to follow him, went across
the room to the dressing-table, and stood again before the glass. A
violent shudder passed through his frame as he looked into it; but
apparently forcing himself to go through with what he had now begun, he
remained where he was, and, without looking away, moved to me with his
hand to come and stand beside him. I complied.
“‘Look in there!’ he said, in an almost inaudible tone. He was
supported, as before, by his hands resting on the table, and could only
bow with his head towards the glass to intimate what he meant. ‘Look in
there!’ he repeated.
“I did as he asked me.
Public-domain text, read in full here on John Shaqi.
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