Art criticism; Dramatic criticism; Literature -- History and criticism
To the first edition of _Lyrical Ballads_ is prefixed four pages
of ‘Advertisement,’ or preface. About it two or three points are
noticeable. First, it gives no hint that two poets have been engaged
upon the volume: ‘the author,’ who speaks of himself in the third
person, is responsible alike for the ‘Ancient Mariner’ and for ‘Goody
Blake and Harry Gill.’ Secondly, it is written in that familiar
language--just our daily speech a little chastened and braced--which
Wordsworth employed at the beginning, and employed to the end. Again,
it utters, thus early in Wordsworth’s life, that note of warning
as to mistaken notions of what Poetry demands, which the writer
repeated afterwards with infinite elaboration. ‘It is the honourable
characteristic of Poetry that its materials are to be found in every
subject which can interest the human mind’--that is, by implication,
his first apology for the choice of humble theme. ‘Readers of superior
judgment may disapprove of the style in which many of these pieces are
executed: it must be expected that many lines and phrases will not
exactly suit their taste.’ Expressions may seem too familiar--may seem
lacking in dignity. But, ‘it is apprehended that the more conversant
the reader is with our elder writers, and with those in modern times
who have been most successful in painting manners and passions, the
fewer complaints of this kind will he have to make.’ Here is the
apology for the fashion of presentation--the germ of that which was
afterwards so fully developed in famous writings which borrowed here
and there a neat and significant phrase from this first ‘Advertisement.’
The title of the ‘Ancient Mariner’ begins the table of contents,
and the poem runs on to the fifty-first page of the volume--nearly
a quarter of all that the volume holds. But Coleridge’s remaining
contributions were small and few, consisting of ‘The Nightingale,’ and
of but one other. That he made even these contributions has sometimes
escaped people’s notice. He had intended to do more, for he tells
us in the _Biographia Literaria_ that, having written the ‘Ancient
Mariner,’ he was preparing, among other poems, ‘The Dark Ladie’ and
the ‘Christabel.’ ‘But Mr. Wordsworth’s industry has proved much
more successful, and the number of his poems so much greater, that
my compositions, instead of forming a balance, appeared rather an
interpolation of heterogeneous matter.’ When the ‘Ancient Mariner’
came to be reprinted--under Coleridge’s banner alone--some minor
changes were made. Some of them were gains, but some were losses. And
there was added then, what the _Lyrical Ballads_ does not contain,
the ‘Gloss’--that wonderful telling of the story and yet departing
from it--which is set forth in grave and inspired prose. ‘It was an
afterthought,’ Wordsworth tells us, in speaking of his friend’s poem.
Public-domain text, read in full here on John Shaqi.
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