"The last department in which the German teacher in a public school is at all active, which is often regarded as his sphere of highest activity, and is here and there even considered the pinnacle of public school education, is the so-called _German composition_. Owing to the very fact that in this department it is almost always the most gifted pupils who display the greatest eagerness, it ought to have been made clear how dangerously stimulating, precisely here, the task of the teacher must be. _German composition_ makes an appeal to the individual, and the more strongly a pupil is conscious of his various qualities, the more personally will he do his _German composition_. This 'personal doing' is urged on with yet an additional fillip in some public schools by the choice of the subject, the strongest proof of which is, in my opinion, that even in the lower classes the non-pedagogic subject is set, by means of which the pupil is led to give a description of his life and of his development. Now, one has only to read the titles of the compositions set in a large number of public schools to be convinced that probably the large majority of pupils have to suffer their whole lives, through no fault of their own, owing to this premature demand for personal work--for the unripe procreation of thoughts. And how often are not all a man's subsequent literary performances but a sad result of this pedagogic original sin against the intellect! "Let us only think of what takes place at such an age in the production of such work. It is the first individual creation; the still undeveloped powers tend for the first time to crystallise; the staggering sensation produced by the demand for self-reliance imparts a seductive charm to these early performances, which is not only quite new, but which never returns. All the daring of nature is hauled out of its depths; all vanities--no longer constrained by mighty barriers--are allowed for the first time to assume a literary form: the young man, from that time forward, feels as if he had reached his consummation as a being not only able, but actually invited, to speak and to converse. The subject he selects obliges him either to express his judgment upon certain poetical works, to class historical persons together in a description of character, to discuss serious ethical problems quite independently, or even to turn the searchlight inwards, to throw its rays upon his own development and to make a critical report of himself: in short, a whole world of reflection is spread out before the astonished young man who, until then, had been almost unconscious, and is delivered up to him to be judged.