[Footnote 33: EMILE MAGNE, _Images de Paris sous Louis XIV_ (1939). In this book, the social historian Dr. Magne devotes the best part of a chapter to the _Mercure Galant_ and gives a listing of all fashion articles up to 1700.] [Footnote 34: See J. L. NEVINSON, “The ‘Mercury Gallant’ or European Fashions in the 1670’s,” _Connoisseur_ (1955) vol. 136, p. 87.] [Footnote 35: See F. G. ROE, “Prints and Tinsel,” _Connoisseur_ (1932), vol. 89, p. 302.] [Footnote 36: _The Cryes of the City of London, Drawne after the Life_, delineated by M. Lauron, engraved by P. Tempest (London: H. Overton, 1711).] [Footnote 37: _A new Drawing book of Modes_, by Mons B. Picart (printed for Richard Ware at the Bible & Sun in Amen Corner, Warwick Lane, London; no date).] [Footnote 38: R. COLAS, _Bibliographie du costume_ (1933), nos. 2502, 2503.] [Footnote 39: G. PASTON, _Social Caricature in the 18th Century_ (1905), pl. facing p. 10.] [Footnote 40: J. LE GROS, L’Art de la coiffure (1768). JAMES STEWART, _Plocacosmos or the whole Art of Hairdressing_ (1782).] [Footnote 41: C. L. REGNAULT DE SAVIGNY, _Les almanachs illustrées du XVIIIme siècle_ (1909).] [Footnote 42: Justus Möser of Osnabruck, a prolific writer in the 1770s, discussed, in his _Patriotische Fantasien_, not only national dress but whether magazines should deal with ladies’ fashions.] [Footnote 43: EVA BERGMAN, _Nationella Dräkten_ (Stockholm, 1938).] [Footnote 44: J. C. RYGE, _Ideer til en national Smag i dansk Klaederdragt_ (Copenhagen, 1827).] [Footnote 45: GRASSET DE SAINT-SAUVEUR, _Costume des Représentans du peuple_ (Paris, 1795).] [Footnote 46: H. LE BLANC, _The Art of Tying the Cravat_, 3rd ed. (1828). _The whole Art of Dress_, by a Cavalry officer (1830). Both of these small books contain fashion plates.] [Footnote 47: VYVYAN HOLLAND, op. cit. (footnote 1), chap. 5 ff. C. WILLETT CUNNINGTON, _English Women’s Clothing in the Nineteenth Century_ (1937). JAMES LAVER, _Nineteenth Century Costume_ (1947). C. H. GIBBS-SMITH, _The Fashionable Lady in the 19th Century_ (1960).] * * * * * * * * * _Original Captions_ The text for figures 6 and 11-14 was printed as blocks of verse below the illustration. The remaining text (figures 16-22, skipping 20) was printed within the body of the illustration. As with all original (pre-1967) text, the spelling, capitalization and punctuation are unchanged. Figure 6: [_the word “bien” in the 4th line was printed as “biẽ” with a line or “tilde” over the “e”_] L’angloyse. Ainsi vestue est une femme Angloise Par le dessus son bonnet est fourré, On la cognoist (biẽ qu’ aux lieux on ne voise) Facilement à son bonnet carré. Figure 11: