It is by no means insisted upon that the chief end and use of margins
is for pictorial illustration, nor yet for furtive games of oughts and
crosses, nor (in the case of hymn-books) for amorous missives scrawled
against the canticle for the day, to be passed over into an adjacent
pew: as used, alas! to happen in days when one was young and godless,
and went to church. Nor, again, are the margins of certain poets
entrusted to man for the composing thereon of infinitely superior
rhymes on the subjects themselves have maltreated: a depraved habit,
akin to scalping. What has never been properly recognised is the
absolute value of the margin itself—a value frequently superior to its
enclosure. In poetry the popular taste demands its margin, and takes
care to get it in “the little verses wot they puts inside the
crackers.” The special popularity, indeed, of lyric as opposed to epic
verse is due to this habit of feeling. A good example maybe found in
the work of Mr Swinburne: the latter is the better poetry, the earlier
remains the more popular—because of its eloquence of margin. Mr Tupper
might long ago have sat with laureate brow but for his neglect of this
first principle. The song of Sigurd, our one epic of the century, is
pitiably unmargined, and so has never won the full meed of glory it
deserves; while the ingenious gentleman who wrote “Beowulf,” our other
English epic, grasped the great fact from the first, so that his work
is much the more popular of the two. The moral is evident. An authority
on practical book-making has stated that “margin is a matter to be
studied”; also that “to place the print in the centre of the paper is
wrong in principle, and to be deprecated.” Now, if it be “wrong in
principle,” let us push that principle to its legitimate conclusion,
and “deprecate” the placing of print on any part of the paper at all.
Without actually suggesting this course to any of our living bards,
when, I may ask—when shall that true poet arise who, disdaining the
trivialities of text, shall give the world a book of verse consisting
entirely of margin? How we shall shove and jostle for large paper
copies!
The Eternal Whither
Public-domain text, read in full here on John Shaqi.
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