Paul Gerhardt's Spiritual Songs: Translated by John Kelly — John Shaqi
Paul Gerhardt's Spiritual Songs: Translated by John KellyGerhardt, Paul
Religion
Paul Gerhardt's Spiritual Songs: Translated by John Kelly
Gerhardt, Paul
Hymns, English; Hymns, German -- Translations into English
There are three of Gerhardt's sermons extant in the library of the
gymnasium of the Grey Cloister in Berlin; and the titles and texts of
three more are known. They are all funeral sermons. We would close this
notice of the life of Gerhardt with a few extracts from Wackernagel's
preface to his edition of Gerhardt's Spiritual Songs.
"Paul Gerhardt," he says, "may be viewed in a one-sided manner, from two
quite opposite points of view, in relation to the spiritual contents of
his songs. His poems appear to mirror the transition character of his
age, when the personal life of the feelings, the subjective tendency,
began to assert itself beside the Christian consciousness of the
congregation. He may therefore be regarded as the last and the most
perfect of those poets who were grounded in the
ecclesiastico-confessional faith, and with him the line of the strict
ecclesiastical poets closes. He may also be regarded as beginning the
line of those in whose songs, praise and adoration of the revealed God
recede before the expression of the feelings that master the soul in
contemplating its relation to God revealing Himself to it as its
salvation. The true view is, that Gerhardt stood in the fore front of his
age and united in himself in the most lively manner both tendencies.
Though he did not write so expressly for the congregation, so immediately
in the interest of the church, as Luther, but from personal necessity, in
personal temptations, yet the pulsation of his inner life was the common
ecclesiastical confession; and his experiences, however personal they
might be, were only waves of the flood of baptism and life which every
other member of the church breathed and shared. His sorrow, and God's
love, the soul's questions, and God's answers in him and in his songs,
become one--so one as can only be when the experience is not only true
for the individual, but also for the people and the church.
"For this reason Paul Gerhardt's are people's songs. They remind us
sometimes of Friedrich Spee; above all, the glorious song,
'Go forth, my heart, and seek delight.'
Public-domain text, read in full here on John Shaqi.
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