In front of the state chair there are men in scarlet coats and
knickerbockers, beating the usual drums in the usual way. Soldiers in
old-fashioned uniforms, priests in yellow robes, nobles in cloth of
gold, and men and women of all classes dressed in the brightest colours,
pass slowly along in front of the bearers. Behind the chair are more
priests who blow weird sounds from horns and conch-shells, and last of
all a long string of sight-seers, all of whom are interested in what is
going to happen.
With much merry noise, the procession wends its way to a piece of ground
outside the city walls. Here a few simple preparations have been made.
There is a roofed-in platform made of bamboo, attap-leaf, and boards,
and some rather soiled drapery of red and white cloth. In front of the
open booth are three bamboo-stakes, firmly fixed in the ground, and
marking out the space which the Prince has to plough. In a shed not far
away are the cream-coloured bullocks that are to draw the plough. A cord
of sacred cotton encircles the booth, the shed, and the selected
ground, and, as usual, keeps out all the evil spirits, who are simply
aching to get inside the thread, play tricks, and upset the proceedings.
Within the guarded area is the wooden plough, similar to that described
in the last chapter, but gaily decorated with ribbons and flowers.
Moreover, the ends of the yoke and the end of the beam are both
beautifully carved, and where the yoke is fastened to the beam there is
a little gilded idol.
Public-domain text, read in full here on John Shaqi.
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