English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
"We two will lie i' the shadow of
That living mystic tree
Within whose secret growth the Dove
Is sometimes felt to be,
While every leaf that His plumes touch
Saith His Name audibly.
The heavenly tree of life is described in Rev. XXVII, 2, as bearing
twelve different kinds of fruit, one for each of the twelve months of
the year, while its leaves heal all diseases or troubles of any kind.
The Dove is the Holy Ghost, who is commonly represented in Christian
art by this bird, when he is not represented by a tongue or flame of
fire. Every time that a leaf touches the body of the Dove, we are told
that the leaf repeats the name of the Holy Ghost. In what language?
Probably in Latin, and the sound of the Latin name would be like the
sound of the motion of leaves, stirred by a wind: _Sanctus Spiritus._
"And I myself will teach to him,
I myself, lying so,
The songs I sing here; which his voice
Shall pause in, hushed and slow,
And find some knowledge at each pause,
Or some new thing to know."
(Alas! we two, we two, thou say'st!
Yea, one wast thou with me
That once of old. But shall God lift
To endless unity
The soul whose likeness with thy soul
Was but its love for thee?)
It is the lover who now speaks, commenting upon the imagined words
of the beloved in heaven. _Endless unity_ here has a double meaning,
signifying at once the mystical union of the soul with God, and the
reunion forever of lovers separated by death. The lover doubts whether
he can be found worthy to enter heaven, because his only likeness to
the beloved was in his love for her; that is to say, his merit was not
so much in being good as in loving good in another.
"We two," she said, "will seek the groves
Where the lady Mary is,
With her fine handmaidens, whose names
Are five sweet symphonies,
Cecily, Gertrude, Magdalen,
Margaret, and Rosalys.
Notice the mediæval method of speaking of the mother of God as "the
lady Mary"; such would have been the form of address for a princess
or queen in those times. So King Arthur's wife, in the old romance,
is called the lady Guinevere. _Symphonies_ here has only the simplest
meaning of a sweet sound, not of a combination of sounds; but the
use of the word nevertheless implies to a delicate ear that the five
names make harmony with each other. They are names of saints, but also
favourite names given to daughters of great families as Christian
names. The picture is simply that of the lady of a great castle,
surrounded by her waiting women, engaged in weaving and sewing.
"Circlewise sit they, with bound locks
And foreheads garlanded;
Into the fine cloth white like flame
Weaving the golden thread,
To fashion the birth-robes for them
Who are just born, being dead.
Public-domain text, read in full here on John Shaqi.
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